{"id":11707,"date":"2026-01-06T04:22:01","date_gmt":"2026-01-06T04:22:01","guid":{"rendered":"https:\/\/staging.bsa.uin-malang.ac.id\/?page_id=11707"},"modified":"2026-01-06T04:48:16","modified_gmt":"2026-01-06T04:48:16","slug":"publikasi-mahasiswa-bsa","status":"publish","type":"page","link":"https:\/\/bsa.uin-malang.ac.id\/ar\/publikasi-mahasiswa-bsa\/","title":{"rendered":"Publikasi Mahasiswa"},"content":{"rendered":"\t\t
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Publikasi Mahasiswa<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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No<\/td>Nim<\/td>Nama<\/td>Jenis Publikasi(Buku, Book Chapter, Jurnal, dll)<\/td>Penerbit\u00a0<\/td>Judul Karya<\/td>Bukti Publikasi<\/td><\/tr>
1<\/td>2024<\/td>\u00a0<\/td>\u00a0<\/td>\u00a0<\/td>\u00a0<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>200301110023<\/td>Karinda Mauludina<\/td>Karya Tulis (Artikel)<\/td>ALSUNIYAT: Jurnal Penelitian Bahasa, Sastra, dan Budaya Arab<\/td>Gender Injustice in the Main Character in Duaa Jamal\u2019s Novel Dalida: A Study of Simone de Beauvoir\u2019s Existentialist Feminism<\/td>https:\/\/ejournal.upi.edu\/index.php\/alsuniyat\/article\/view\/71757<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>210301110107<\/td>Najwa Khairia<\/td>Karya Tulis (Artikel)<\/td>Jurnal Kata<\/td>The Main Character\u2019s Inner Conflict in the Novel \u201cIlaika Haruufi\u201d (Abraham Maslow\u2019s Hierarchy of Needs)<\/td>http:\/\/publikasi.lldikti10.id\/index.php\/kata\/article\/view\/3062<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>210301110188<\/td>Rihaadatul Aisy AlQodri<\/td>Karya Tulis (Artikel)<\/td>Jurnal Kata<\/td>Framing The News Of Donald Trump Shooting In\u00a0Pennsylvania On Cnn And Bbc Media<\/td>https:\/\/publikasi.lldikti10.id\/index.php\/kata\/article\/view\/3169<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>210301110130<\/td>Hanania Hanum Sa\u2019baniyah<\/td>Karya Tulis (Artikel)<\/td>TSAQOFIYA : Jurnal Pendidikan Bahasa dan Sastra Arab<\/td>Trust Issue Analysis: Psycholinguistic study In Shrine Abdel Wahab Garh Tany\u2019s Song Albums<\/td>https:\/\/tsaqofiya.iainponorogo.ac.id\/index.php\/tsaqofiya\/article\/view\/757<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>210301110067<\/td>Intan Aulia Cahya<\/td>Karya Tulis (Artikel)<\/td>Jurnal Onoma: Pendidikan, Bahasa, dan Sastra<\/td>Ecofeminism In Zainab Novel By Husain Haikal<\/td>https:\/\/e-journal.my.id\/onoma\/article\/view\/4681<\/a><\/td><\/tr>
\u00a0<\/td>210301110034<\/td>Hardilla<\/td>Karya Tulis (Artikel)<\/td>Junal Pendidikan Bahasa dan Sastra<\/td>A Comparison of Robert Entman\u2019s Framing of Netanyahu\u2019s Arrest News on Aljazeera Online News Media and CNN Arabic<\/td>https:\/\/ejournal.upi.edu\/index.php\/BS_JPBSP\/article\/view\/75383<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>210301110068<\/td>Sulukul Muhimmah<\/td>Karya Tulis (Artikel)<\/td>Eralingua: Jurnal Pendidikan Bahasa Asing dan Sastra<\/td>The Internalization of Character Education Values and the Concept of Happiness Through the Short Story \u201cAl-Saeed Hasan\u201d by Kamil Kailani: Children\u2019s Literature Study<\/td>https:\/\/ojs.unm.ac.id\/eralingua\/article\/view\/64762<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>210301110079<\/td>Mahjatin Nabilah<\/td>Karya Tulis (Artikel)<\/td>Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya<\/td>Historiography of the Novel Min Hikayati Jaddati By Suhayr Al-Qalamawy: A Study of New Historicism<\/td>https:\/\/diglosiaunmul.com\/index.php\/diglosia\/article\/view\/1068<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>210301110040<\/td>Shofi Najla Ufairoh<\/td>Karya Tulis (Artikel)<\/td>MUWAZAH: Jurnal Kajian Gender<\/td>Reconstructing the Father\u2019s Role in \u201cOmar & Hana Arabic\u201d Animation Series: The Importance of Fathers Involvement in Domestic Work<\/td>https:\/\/e-journal.uingusdur.ac.id\/Muwazah\/article\/view\/8681<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>210301110020<\/td>Ulfatil Mustafidah<\/td>Karya Tulis (Artikel)<\/td>Jurnal Onoma: Pendidikan, Bahasa, dan Sastra<\/td>Social Action in the Movie Alkhallat+: Talcott Parson\u2019s Structural Functional Study<\/td>https:\/\/e-journal.my.id\/onoma\/article\/view\/4161<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>210301110003<\/td>Nida Asyfiatul Hasna<\/td>Karya Tulis (Artikel)<\/td>ALSUNIYAT: Jurnal Penelitian Bahasa, Sastra, dan Budaya Arab<\/td>A Critical Dissection of Media Narratives in the Salma Al-Shihab Case: Insights from Murray Jacob Edelman<\/td>https:\/\/ejournal.upi.edu\/index.php\/alsuniyat\/article\/view\/72296<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>210301110038<\/td>Ahmad Muwaffaq Al Barka<\/td>Karya Tulis (Artikel)<\/td>Jurnal Sastra Indonesia<\/td>Existentialist Feminism Simone de Beauvoir in Arthur Miller\u2019s Novela Fat\u0101tun \u2018\u0100diyah<\/td>https:\/\/journal.unnes.ac.id\/journals\/jsi\/article\/view\/15615<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>210301110022<\/td>Muhammad Zarnubi<\/td>Karya Tulis (Artikel)<\/td>Jurnal Kata<\/td>Modern Love Orientation in the Novel \u201cMaa Laa Nabuuhu Bih\u201d By Sandra Siraj<\/td>http:\/\/publikasi.lldikti10.id\/index.php\/kata\/article\/view\/3185\/1446<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>210301110177<\/td>Dianatul Ilmi<\/td>Karya Tulis (Artikel)<\/td>Leksema: Jurnal Bahasa dan Sastra<\/td>Media Framing of Technological Advancement And Human Rights to Saudi Arabia\u2019s Neom Project<\/td>https:\/\/ejournal.uinsaid.ac.id\/index.php\/leksema\/article\/view\/9706<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>210301110180<\/td>Dhihyah<\/td>Karya Tulis (Artikel)<\/td>Jurnal Onoma: Pendidikan, Bahasa, dan Sastra<\/td>Tracking The Death Of The Iranian President In BBC \u2018Arabi News Reports: A Critical Analysis From Norman Fairclough\u2019s Perspective<\/td>https:\/\/e-journal.my.id\/onoma\/article\/view\/4624<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>210301110058<\/td>Abdul Givari Pratama Amboy<\/td>Karya Tulis (Artikel)<\/td>Lensa: Kajian Kebahasaan, Kesusastraan, dan Budaya<\/td>Arab Women\u2019s Revolution Against Patriarchy In The Cyber Feminist World<\/td>https:\/\/jurnal.unimus.ac.id\/index.php\/lensa\/article\/view\/15990<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>210301110187<\/td>Susilawati\u00a0<\/td>Karya Tulis (Artikel)<\/td>SEMIOTIKA Jurnal Komunikasi<\/td>Tipologi Kejahatan Perang Israel-Palestina dalam Karikatur Portal Berita Online Al-Quds Al-Arabi<\/td>https:\/\/journal.ubm.ac.id\/index.php\/semiotika\/article\/view\/6521<\/a>\u00a0<\/td><\/tr>
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\u00a0<\/td>2023<\/td>Prayoga Saputra<\/td>Prosiding<\/td>Pertemuan Ilmiah Internasional Bahasa Arab\u00a0<\/td>Tahlil Mu\u2019jam \u201cAl-Ma\u2019any\u201d Bimanhaj Ilmi al-Ma\u2019ajim<\/td>https:\/\/www.prosiding.imla.or.id\/index.php\/pinba\/article\/view\/430<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ummi Hasanah<\/td>Prosiding<\/td>Pertemuan Ilmiah Internasional Bahasa Arab\u00a0<\/td>Tahlil Mu\u2019jam \u201cAl-Ma\u2019any\u201d Bimanhaj Ilmi al-Ma\u2019ajim<\/td>https:\/\/www.prosiding.imla.or.id\/index.php\/pinba\/article\/view\/430<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Madinatul Munawwarah<\/td>Prosiding<\/td>Pertemuan Ilmiah Internasional Bahasa Arab\u00a0<\/td>Tahlil Mu\u2019jam \u201cAl-Ma\u2019any\u201d Bimanhaj Ilmi al-Ma\u2019ajim<\/td>https:\/\/www.prosiding.imla.or.id\/index.php\/pinba\/article\/view\/430<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ummi Hasanah<\/td>Prosiding<\/td>Pertemuan Ilmiah Internasional Bahasa Arab<\/td>Qimah Diqah Nataij Tarjamah al-Nash al-Adabi bi Istikhdam Chat GPT<\/td>https:\/\/www.prosiding.imla.or.id\/index.php\/pinba\/article\/view\/399<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Mellinda Raswari Jambak<\/td>Prosiding<\/td>Pertemuan Ilmiah Internasional Bahasa Arab<\/td>Qimah Diqah Nataij Tarjamah al-Nash al-Adabi bi Istikhdam Chat GPT<\/td>https:\/\/www.prosiding.imla.or.id\/index.php\/pinba\/article\/view\/399<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Madinatul Munawwarah<\/td>Prosiding<\/td>Pertemuan Ilmiah Internasional Bahasa Arab<\/td>Qimah Diqah Nataij Tarjamah al-Nash al-Adabi bi Istikhdam Chat GPT<\/td>https:\/\/www.prosiding.imla.or.id\/index.php\/pinba\/article\/view\/399<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Madinatul Munawwarah<\/td>Prosiding<\/td>International Conference on Arabic Language<\/td>Utilization of the Quiziz media in the Arabic Learning Process at State Islamic Senior High School 2 Of City Malang<\/td>https:\/\/prosiding.arab-um.com\/index.php\/Incala\/article\/view\/1317<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ummi Hasanah<\/td>Prosiding<\/td>International Conference on Arabic Language<\/td>Utilization of the Quiziz media in the Arabic Learning Process at State Islamic Senior High School 2 Of City Malang<\/td>https:\/\/prosiding.arab-um.com\/index.php\/Incala\/article\/view\/1317<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Nadya Brilian Fuzti<\/td>Prosiding<\/td>4th<\/sup>\u00a0AICOLLIM\/Atlantis Press<\/td>Style of language in Imam Syafi\u2019i poetry \u201cDa\u2019il Ayyamaa Taf\u2019alu Maa Tasyau\u201d<\/td>https:\/\/www.atlantis-press.com\/proceedings\/aicollim-22\/125985119<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Mellinda Raswari Jambak<\/td>Prosiding<\/td>4th<\/sup>\u00a0AICOLLIM\/Atlantis Press<\/td>Women\u2019s Emancipation in Hanung Bramantyo\u2019s Kartini Film: Naomi Wolf\u2019s Feminist Perspective<\/td>https:\/\/www.atlantis-press.com\/proceedings\/aicollim-22\/125985090<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Eva Laily Salsabila<\/td>Prosiding<\/td>4th<\/sup>\u00a0AICOLLIM\/Atlantis Press<\/td>Arabic Learning Challenges<\/td>https:\/\/www.atlantis-press.com\/proceedings\/aicollim-22\/125985125<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Bening Nuha Nirmala<\/td>Prosiding<\/td>4th<\/sup>\u00a0AICOLLIM\/Atlantis Press<\/td>A. J. Greimas\u2019 Narrative Structure in the Animated Film Turning Red<\/td>https:\/\/www.atlantis-press.com\/proceedings\/aicollim-22\/125985126<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ahmad Zahrowii Danyal Abu Barzah<\/td>Prosiding<\/td>4th<\/sup>\u00a0AICOLLIM\/Atlantis Press<\/td>Religiuos Forms and Meanings in the SongHuwa Ahmadun: Louis Hjelmslev\u2019s Metasemiotic Analysis<\/td>https:\/\/www.atlantis-press.com\/proceedings\/aicollim-22\/125985103<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Amal Nur Ilmiawan<\/td>Prosiding<\/td>4th<\/sup>\u00a0AICOLLIM\/Atlantis Press<\/td>Religiuos Forms and Meanings in the SongHuwa Ahmadun: Louis Hjelmslev\u2019s Metasemiotic Analysis<\/td>https:\/\/www.atlantis-press.com\/proceedings\/aicollim-22\/125985103<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Moh. Nailur Rohman<\/td>Prosiding<\/td>4th<\/sup>\u00a0AICOLLIM\/Atlantis Press<\/td>Forms, Techniques, and Meanings in Abu Al-Aswad Al-Duali\u2019s Poems<\/td>https:\/\/www.atlantis-press.com\/proceedings\/aicollim-22\/125985086<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Arfiatul Aliyah<\/td>Prosiding<\/td>4th<\/sup>\u00a0AICOLLIM\/Atlantis Press<\/td>Forms, Techniques, and Meanings in Abu Al-Aswad Al-Duali\u2019s Poems<\/td>https:\/\/www.atlantis-press.com\/proceedings\/aicollim-22\/125985086<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Fika Burhan Tajalla<\/td>Prosiding<\/td>4th<\/sup>\u00a0AICOLLIM\/Atlantis Press<\/td>The Meaning of Love, Regret, Sadness, and Confusion in the Jwaidah\u2019s \u201cLau Annana Lam Naftariq\u201d<\/td>https:\/\/www.atlantis-press.com\/proceedings\/aicollim-22\/125985123<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Nur Illiyyin Setya Mufti<\/td>Prosiding<\/td>4th<\/sup>\u00a0AICOLLIM\/Atlantis Press<\/td>The Meaning of Love, Regret, Sadness, and Confusion in the Jwaidah\u2019s \u201cLau Annana Lam Naftariq\u201d<\/td>https:\/\/www.atlantis-press.com\/proceedings\/aicollim-22\/125985123<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Suhaeni Rahmawati<\/td>Prosiding<\/td>4th<\/sup>\u00a0AICOLLIM\/Atlantis Press<\/td>Distortion of Women\u2019s Rights in NawalEl-Saadawi\u2019s Suquth Al-Imam: Naomi Wolf\u2019s Perspective<\/td>https:\/\/www.atlantis-press.com\/proceedings\/aicollim-22\/125985091<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Siti Zulfa Hidayatul Maula<\/td>Prosiding<\/td>4th<\/sup>\u00a0AICOLLIM\/Atlantis Press<\/td>The Phonological and Morphological Variations of the Egyptian Dialectin the Song El-Melouk<\/td>https:\/\/www.atlantis-press.com\/proceedings\/aicollim-22\/125985092<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Chairani Soleha<\/td>Prosiding<\/td>4th<\/sup>\u00a0AICOLLIM\/Atlantis Press<\/td>The Phonological and Morphological Variations of the Egyptian Dialectin the Song El-Melouk<\/td>https:\/\/www.atlantis-press.com\/proceedings\/aicollim-22\/125985092<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Alam An Shori<\/td>Prosiding<\/td>Mayada: al-Multaqa al-Ilmy al-Alamy lil-Dirasat al-Arabiyah<\/td>Khitab An Thufanul Aqsha fi Khabar Al-Jazeera Net: Dirasat Simyaiyyat Ijtima\u2019iyyat<\/td>http:\/\/conferences.uin-malang.ac.id\/index.php\/mayada\/article\/view\/2501\/1179<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Melinda Raswari Jambak<\/td>Prosiding<\/td>Mayada: al-Multaqa al-Ilmy al-Alamy lil-Dirasat al-Arabiyah<\/td>Construction of Political Reality in The Caricature EntitledQiblatul Maut and Ittabi\u2019uni By Osamahajjaj: A Semiotic Studyof Roman Jakobson<\/td>http:\/\/repository.uin-malang.ac.id\/18030\/2\/18030.pdf<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Indah Rarasati<\/td>Prosiding<\/td>Mayada: al-Multaqa al-Ilmy al-Alamy lil-Dirasat al-Arabiyah<\/td>Construction of Political Reality in The Caricature EntitledQiblatul Maut and Ittabi\u2019uni By Osamahajjaj: A Semiotic Studyof Roman Jakobson<\/td>http:\/\/repository.uin-malang.ac.id\/18030\/2\/18030.pdf<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ummi Hasanah<\/td>Prosiding<\/td>Mayada: al-Multaqa al-Ilmy al-Alamy lil-Dirasat al-Arabiyah<\/td>Construction of Political Reality in The Caricature EntitledQiblatul Maut and Ittabi\u2019uni By Osamahajjaj: A Semiotic Studyof Roman Jakobson<\/td>http:\/\/repository.uin-malang.ac.id\/18030\/2\/18030.pdf<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ahmad Zaimul Umam<\/td>Prosiding<\/td>5th<\/sup>\u00a0AICOLLIM<\/td>Tahlil an-nash fi ikhbariyati ash-shira\u2019 baina rusia wa ukraina fi shahifati bbc arabic news bimandhur tahlil al-khithab an-naqd li teun a. Van dijk<\/td>https:\/\/conferences.uin-malang.ac.id\/index.php\/aicollim\/article\/view\/2434<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Firsya Aulia Putri<\/td>Prosiding<\/td>5th<\/sup>\u00a0AICOLLIM<\/td>Gerard Genettes\u2019 Narrative Structure In The Short Story \u2018Kayyu Yang Tak Layu\u2019 By Yuli Maharani<\/td>https:\/\/conferences.uin-malang.ac.id\/index.php\/aicollim\/article\/view\/2448<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ummi Hasanah<\/td>Prosiding<\/td>5th<\/sup>\u00a0AICOLLIM<\/td>Social conflict in the novel Sangkakala di Langit Andalusia by Hanum Salsabila and Rangga Almahendra<\/td>http:\/\/conferences.uin-malang.ac.id\/index.php\/aicollim\/article\/view\/2453<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Rintina Widyasari<\/td>Prosiding<\/td>5th<\/sup>\u00a0AICOLLIM<\/td>The conflict of source water springs in the short story sumur: A story by Eka Kurniawan Perspective George Simmel<\/td>https:\/\/conferences.uin-malang.ac.id\/index.php\/aicollim\/article\/view\/2451<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Diah Nur Asy\u2019Syifa<\/td>Prosiding<\/td>5th<\/sup>\u00a0AICOLLIM<\/td>Al-haqaiq al-insaniyyah fi mukhtarati al-syi\u2019ri \u201cPerjamuan Khong Guan\u201d li Joko Pinurbo bi al-Mandzur Lucien Goldmann<\/td>http:\/\/conferences.uin-malang.ac.id\/index.php\/aicollim\/article\/view\/2440<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Afifah Fadia Damayanti<\/td>Prosiding<\/td>5th<\/sup>\u00a0AICOLLIM<\/td>Al-haqaiq al-insaniyyah fi mukhtarati al-syi\u2019ri \u201cPerjamuan Khong Guan\u201d li Joko Pinurbo bi al-Mandzur Lucien Goldmann<\/td>http:\/\/conferences.uin-malang.ac.id\/index.php\/aicollim\/article\/view\/2440<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Betty Ayunda Wulandari<\/td>Prosiding<\/td>5th<\/sup>\u00a0AICOLLIM<\/td>Literary Structure Of The Novel \u201cCinta Di Langit Qatar\u201d Based On Perspective\u2019s Lucien Goldman<\/td>https:\/\/conferences.uin-malang.ac.id\/index.php\/aicollim\/article\/view\/2458<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Madinatul Munawwarah<\/td>Prosiding<\/td>5th<\/sup>\u00a0AICOLLIM<\/td>Literary Structure Of The Novel \u201cCinta Di Langit Qatar\u201d Based On Perspective\u2019s Lucien Goldman<\/td>https:\/\/conferences.uin-malang.ac.id\/index.php\/aicollim\/article\/view\/2458<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Aldrian<\/td>Prosiding<\/td>5th<\/sup>\u00a0AICOLLIM<\/td>Self-Conception In The Novel\u201d Perjalanan Tunggal\u201d: Cooleys Looking-Glass Self Perspective<\/td>https:\/\/conferences.uin-malang.ac.id\/index.php\/aicollim\/article\/view\/2441<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Mellinda Raswari Jambak<\/td>Prosiding<\/td>5th<\/sup>\u00a0AICOLLIM<\/td>Symbolic interaction of the main character in the Novel Laut Bercerita by Leila S. Chudori<\/td>http:\/\/conferences.uin-malang.ac.id\/index.php\/aicollim\/article\/view\/2450<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Andi Muhammad Fathurrahman<\/td>Prosiding<\/td>5th<\/sup>\u00a0AICOLLIM<\/td>Al-Shighah Wa Al-Qadhiyyah Fi Al-Qisshah Al-Qashirah Athfaalu Al-Ghaabah Li Muhammad \u2018Athiyah Al-Abrasy<\/td>http:\/\/repository.uin-malang.ac.id\/19703\/3\/2464-121-4184-1-10-20231018%20%282%29.pdf<\/a>\u00a0<\/td><\/tr>
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\u00a0<\/td>\u00a0<\/td>Muhammad Aqil Wahid<\/td>Prosiding<\/td>5th<\/sup>\u00a0AICOLLIM<\/td>Genetic Structuralism In The Short Story Anthology \u201cYang Lebih Bijak Daripada Peri\u201d By Rizqi Turama<\/td>https:\/\/conferences.uin-malang.ac.id\/index.php\/aicollim\/article\/view\/2425<\/a>\u00a0<\/td><\/tr>
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\u00a0<\/td>\u00a0<\/td>Melinda Raswari Jambak<\/td>Prosiding<\/td>International Conference On Arabic Language 2 (1)<\/td>Huwiyyat al-mar\u2019ah wa quwattuh\u0101 wa sultatuh\u0101 min qisat Maryam fi al-Qur\u2019an: dir\u0101sah nasawiyyah al-sultah li Numi Wolf<\/td>https:\/\/prosiding.arab-um.com\/index.php\/Incala\/article\/view\/1312<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Indah Rarasati<\/td>Prosiding<\/td>International Conference On Arabic Language 2 (1)<\/td>Q\u012bmat al-\u1e25ikmah al-b\u012b\u2019iyyah f\u012b qi\u1e63\u1e63ah qa\u1e63\u012brah \u1e62ad\u012bq al-yaraq\u0101t li-Duktur S\u0101m\u012b K\u012bl\u0101n\u012b: dir\u0101sah naqdiyyah b\u012b\u2019iyyah<\/td>https:\/\/prosiding.arab-um.com\/index.php\/Incala\/article\/view\/1308<\/a>\u00a0<\/td><\/tr>
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\u00a0<\/td>\u00a0<\/td>Nurul Luthfiyyah<\/td>Buku<\/td>LovRinz Publishing<\/td>Novel \u201cSHINING DREAM\u201d<\/td>https:\/\/www.instagram.com\/p\/Cy53pG6vln8\/?igsh=MWFzdWRqc2t0NWlldw==<\/a>\u00a0<\/td><\/tr>
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\u00a0<\/td>\u00a0<\/td>Mellinda Raswari Jambak<\/td>Jurnal<\/td>JENTERA: Jurnal Kajian Sastra 12 (2)<\/td>Fokalisasi pada Novel Ranah 3 Warna Karya Ahmad Fuadi: Kajian Naratologi Gerard Genette<\/td>https:\/\/ojs.badanbahasa.kemdikbud.go.id\/jurnal\/index.php\/jentera\/article\/view\/6019<\/a>\u00a0<\/td><\/tr>
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\u00a0<\/td>\u00a0<\/td>Mellinda Raswari Jambak<\/td>Jurnal<\/td>JENTERA: Jurnal Kajian Sastra 12 (2)<\/td>Fokalisasi pada Novel Ranah 3 Warna Karya Ahmad Fuadi: Kajian Naratologi Gerard Genette<\/td>https:\/\/ojs.badanbahasa.kemdikbud.go.id\/jurnal\/index.php\/jentera\/article\/view\/6019<\/a>\u00a0<\/td><\/tr>
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\u00a0<\/td>17310036<\/td>Ichwan Muttaqin<\/td>Jurnal<\/td>Arabiyatuna: IAIN Curup<\/td>Intransitive Independent Clauses in Film \u201c\u1e0e\u012bb\u201d: Modern Linguistic Study Based on Kenneth L. Pike\u2019s Tagmemic Perspective<\/a><\/td>http:\/\/journal.iaincurup.ac.id\/index.php\/ARABIYATUNA\/article\/view\/4240<\/a><\/td><\/tr>
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\u00a0<\/td>17310149<\/td>Ely Fauziyah<\/td>Jurnal<\/td>Leksema: Jurnal Bahasa dan Sastra, UIN Raden Mas Said, Surakarta<\/td>Fillmore\u2019s Case Grammar Analysis of \u201cJinniyat Jabal Kumang\u201d Film Dialogues<\/a><\/td>https:\/\/ejournal.uinsaid.ac.id\/index.php\/leksema\/article\/view\/5021<\/a><\/td><\/tr>
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\u00a0<\/td>\u00a0<\/td>Hana Izzah Syafina<\/td>Jurnal<\/td>OKARA: Jurnal Bahasa dan Sastra IAIN Madura<\/td>Bin\u0101 al-Jumal al-Mu\u2019aqqodah f\u012b Riwayah \u201cM\u0101 L\u0101 Nab\u016bh Bih\u201d ala As\u0101si Nadhariyyati Tagmemic Kenneth L. Pike [Complex Sentence Construction in Novel \u201cM\u0101 L\u0101 Nab\u016bh Bih\u201d Based on the Perspective of Kenneth L. Pike\u2019s Tagmemic]<\/td>http:\/\/ejournal.iainmadura.ac.id\/index.php\/okara\/article\/view\/6024<\/a><\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Husnizan Hayati<\/td>Jurnal<\/td>OKARA: Jurnal Bahasa dan Sastra IAIN Madura<\/td>Bin\u0101 al-Jumal al-Mu\u2019aqqodah f\u012b Riwayah \u201cM\u0101 L\u0101 Nab\u016bh Bih\u201d ala As\u0101si Nadhariyyati Tagmemic Kenneth L. Pike [Complex Sentence Construction in Novel \u201cM\u0101 L\u0101 Nab\u016bh Bih\u201d Based on the Perspective of Kenneth L. Pike\u2019s Tagmemic]<\/td>http:\/\/ejournal.iainmadura.ac.id\/index.php\/okara\/article\/view\/6024<\/a><\/td><\/tr>
\u00a0<\/td>22205011026<\/td>Avisena Perdana Putra Muama<\/td>Jurnal<\/td>Journal of Arabic Literature (JaLi). UIN Malang<\/td>Colonization of Subaltern Women in the Short Story \u201cQisshatu Fathiyyah Al-Misriyyah\u201d By Naw\u0101l As-Sa\u2019d\u0101w\u012b Based on Perspective Gayatri Spivak<\/a><\/td>https:\/\/ejournal.uin-malang.ac.id\/index.php\/jali\/article\/view\/17882<\/a><\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Habri<\/td>Jurnal<\/td>HuRuf Journal: International Journal of Arabic Applied Linguistic. UIN Bukittinggi<\/td>al-Ta\u02bfr\u012bb f\u012b al-Mu\u1e63\u1e6dala\u1e25\u0101t al-Iliktruniyyah wa al-\u1e62i\u1e25\u1e25iyyah bi Mauqi\u02bf mawdoo3. Com al-\u02bfArabiy<\/a><\/td>https:\/\/ejournal.iainbukittinggi.ac.id\/index.php\/huruf\/article\/view\/5186<\/a><\/td><\/tr>
\u00a0<\/td>1200301110191<\/td>Mellinda Raswari Jambak<\/td>Jurnal<\/td>Kode: Jurnal Bahasa, Universitas Negeri Medan<\/td>Analisis Makna Referensial dan Nonreferensial dalam Antologi Cerpen Inspiratif 18 Cerita Menggugah<\/td>https:\/\/jurnal.unimed.ac.id\/2012\/index.php\/kjb\/article\/view\/38845<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Arina Haque<\/td>Jurnal<\/td>CMES: Jurnal Studi Timur Tengah, Universitas Sebelas Maret Surakarta<\/td>The Strategy Of Houthis To Seize Control Of Yemen\u2019s Territory: Distortion Of Social Norms In Conflict<\/a><\/td>https:\/\/jurnal.uns.ac.id\/cmes\/article\/view\/66442\/pdf<\/a><\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Nety Novita Hariyani<\/td>Jurnal<\/td>CMES: Jurnal Studi Timur Tengah, Universitas Sebelas Maret Surakarta<\/td>The Strategy Of Houthis To Seize Control Of Yemen\u2019s Territory: Distortion Of Social Norms In Conflict<\/a><\/td>https:\/\/jurnal.uns.ac.id\/cmes\/article\/view\/66442\/pdf<\/a><\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Dzun Nur Nafi\u2019ah Muamaroh<\/td>Jurnal<\/td>Afshaha: Jurnal Bahasa dan Sastra Arab. UIN Malang<\/td>Analisis Sosiologi Sastra Dalam Cerpen \u201cMauthini\u201d Karya Amani Ismail Berdasarkan Perspektif Alan Swingewood<\/a><\/td>https:\/\/ejournal.uin-malang.ac.id\/index.php\/afshaha\/article\/view\/15921<\/a><\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Alya Afifah Maliyanah<\/td>Jurnal<\/td>Afshaha: Jurnal Bahasa dan Sastra Arab. UIN Malang<\/td>Analisis Sosiologi Sastra Dalam Cerpen \u201cMauthini\u201d Karya Amani Ismail Berdasarkan Perspektif Alan Swingewood<\/a><\/td>https:\/\/ejournal.uin-malang.ac.id\/index.php\/afshaha\/article\/view\/15921<\/a><\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Habil Abyad<\/td>Jurnal<\/td>Al-Ma\u2018rifah, 19(2), 141 \u2013 152.\u00a0<\/td>Exploring Spirituality of Sa\u2018d\u016bn al-Majn\u016bn\u2019s Poetry: A Perspective of Ibn \u2018Arab\u012b\u2019s Hermeneutics.\u00a0<\/td>https:\/\/doi.org\/10.21009\/almakrifah.19.02.02<\/a><\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Baedt Giri Mukhoddam Billah<\/td>Jurnal<\/td>Aksara: Jurnal Bahasa dan Sastra<\/em>,\u00a024<\/em>(1), 1-20<\/td>Muka positif dan muka negatif: analisis novel \u201cTahajjud Cinta Rania\u201d perspektif Ervin Goffman.\u00a0.<\/td>http:\/\/jurnal.fkip.unila.ac.id\/index.php\/aksara\/article\/view\/25467<\/a>\u00a0\u00a0<\/td><\/tr>
\u00a0<\/td>18310136<\/td>Balkis Nur Azizah<\/td>Jurnal<\/td>Semantik. STIKIP Siliwangi Journal<\/td>KONFLIK SOSIAL DALAM CERPEN \u201cTEPI SHIRE\u201d KARYA TAWAKAL M. IQBAL: ANALISIS SOSIOLOGI SASTRA<\/a><\/td>http:\/\/e-journal.stkipsiliwangi.ac.id\/index.php\/semantik\/article\/view\/2730<\/a><\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ahmad Zahrowii Danyal Abu Barzah<\/td>Jurnal<\/td>Hasta Wiyata. UB<\/td>Makna Cinta dalam Lirik Lagu Bismillah Cinta Karya Sigit Purnomo: Analisis Semiotika Ferdinand De Saussure<\/a><\/td>https:\/\/hastawiyata.ub.ac.id\/index.php\/hastawiyata\/article\/view\/102\/110<\/a><\/td><\/tr>
\u00a0<\/td>118310109<\/td>Muhammad Farhan Palowa<\/td>Jurnal<\/td>LISANUDHAD: JURNAL BAHASA, PEMBELAJARAN DAN SASTRA ARAB. UNIDA Gontor<\/td>At-Tadh\u0101d f\u012b Riw\u0101yat \u201cHik\u0101yat Al-Hubb\u201d li Gh\u0101zi Al-Qashaibiy (Dir\u0101sat Dil\u0101liyyat bi Manzhur John I. Saeed)<\/a><\/td>https:\/\/ejournal.unida.gontor.ac.id\/index.php\/lisanu\/article\/view\/8852<\/a><\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ainaul Mardhiyah<\/em><\/td>Jurnal<\/td>Afshaha: Jurnal Bahasa dan Sastra Arab. UIN Malang<\/td>Tanfiidz Khuththotut Al-Tath\u2019im Al-Su\u2019udiyyat Min Mulashaqaat Fi Twitter: Dirasat Siimiyaa-Iyyat Umberto Eco<\/td>https:\/\/ejournal.uin-malang.ac.id\/index.php\/afshaha\/article\/view\/17497<\/a><\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Fihalisa Mughi Tri Alya<\/td>Jurnal<\/td>Al-Ma\u2019rifah: Jurnal Budaya, Bahasa, dan Sastra Arab. UNJ<\/td>al-Af\u2018\u0101l al-Kal\u0101m\u012byah al-Inj\u0101z\u012byah \u2018inda Searle f\u012b al-Qi\u1e63\u1e63ah al-Qa\u1e63\u012brah Lu\u2019lu\u2019at al-\u1e62ab\u0101\u1e25 li-K\u0101mil K\u012bl\u0101n\u012b<\/a><\/td>http:\/\/journal.unj.ac.id\/unj\/index.php\/jba\/article\/view\/26313<\/a><\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ni\u2019ma Ni\u2019ma Rofidah<\/td>Jurnal<\/td>Diwan, UIN Alauddin, Makassar<\/td>Allegorical Images in the Book \u201cMukhtarat Kitab Al-Adzkiya\u201d by Abi Al-Faraj Ibn Al-Jauzi<\/td>https:\/\/journal.uin-alauddin.ac.id\/index.php\/diwan\/article\/view\/31315<\/a><\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Dzun Nur Nafi\u2019ah Muamaroh<\/td>Jurnal<\/td>Journal of Arabic Literature (JaLi) 3 (1)<\/td>Tamtsil Al Marah Fi Majmuati Qashaid \u201cAnta-Lii\u201d Li Nizar Qabaani Bi Nadzariyah Michael Riffatere<\/td>https:\/\/ejournal.uin-malang.ac.id\/index.php\/jali\/article\/view\/21026<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ni\u2019ma Rofida<\/td>Jurnal<\/td>Diwan: Jurnal Bahasa dan Sastra Arab 8 (2)<\/td>Al-\u1e63uwar al-kin\u0101\u2019iyyah f\u012b mukht\u0101r\u0101t kit\u0101b li-adhkiy\u0101\u2019 li-Ab\u012b al-Faraj ibn al-Jawz\u012b<\/td>https:\/\/journal.uin-alauddin.ac.id\/index.php\/diwan\/article\/view\/31315<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Siti Rahmatillah<\/td>Jurnal<\/td>Bahtera 21 (1)<\/td>The Contruction of Social Values in the Oral Literartur Tradition \u201cOlo\u201d Langgudu Mbojo Bima<\/td>https:\/\/journal.unj.ac.id\/unj\/index.php\/bahtera\/article\/view\/25051<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Mellinda Raswari Jambak<\/td>Jurnal<\/td>KODE: Jurnal Bahasa, Vol. 11<\/td>Analisis Makna Referensial dan Nonreferensial dalam Antologi Cerpen Inspiratif 18 Cerita Menggugah<\/td>https:\/\/jurnal.unimed.ac.id\/2012\/index.php\/kjb\/article\/view\/38845<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Hanna Izzah Syafina<\/td>Jurnal<\/td>OKARA: Jurnal Bahasa dan Sastra, Vol. 16, No. 2<\/td>Bin\u0101 al-jumal al-mu\u2019aqqodah f\u012b riwayah \u201cm\u0101 l\u0101 nab\u016bh bih\u201d ala As\u0101si nadhariyyati tagmemic kenneth l. Pike<\/td>https:\/\/ejournal.iainmadura.ac.id\/index.php\/okara\/article\/view\/6024<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Husnizan Hayati<\/td>Jurnal<\/td>OKARA: Jurnal Bahasa dan Sastra, Vol. 16, No. 2<\/td>Bin\u0101 al-jumal al-mu\u2019aqqodah f\u012b riwayah \u201cm\u0101 l\u0101 nab\u016bh bih\u201d ala As\u0101si nadhariyyati tagmemic kenneth l. Pike<\/td>https:\/\/ejournal.iainmadura.ac.id\/index.php\/okara\/article\/view\/6024<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Muhamad Syahril<\/td>Jurnal<\/td>Arabiyatuna, Vol. 6. No. 2<\/td>Intransitive Independent Clauses in Film \u201c\u1e0e\u012bb\u201d: Modern Linguistic Study Based on Kenneth L. Pike\u2019s Tagmemic Perspective<\/td>http:\/\/journal.iaincurup.ac.id\/index.php\/ARABIYATUNA\/article\/view\/4240<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Mohamad Irvan Muzakky<\/td>Jurnal<\/td>Arabiyatuna, Vol. 6. No. 2<\/td>Intransitive Independent Clauses in Film \u201c\u1e0e\u012bb\u201d: Modern Linguistic Study Based on Kenneth L. Pike\u2019s Tagmemic Perspective<\/td>http:\/\/journal.iaincurup.ac.id\/index.php\/ARABIYATUNA\/article\/view\/4240<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ichwanul Muttaqin<\/td>Jurnal<\/td>Arabiyatuna, Vol. 6. No. 2<\/td>Intransitive Independent Clauses in Film \u201c\u1e0e\u012bb\u201d: Modern Linguistic Study Based on Kenneth L. Pike\u2019s Tagmemic Perspective<\/td>http:\/\/journal.iaincurup.ac.id\/index.php\/ARABIYATUNA\/article\/view\/4240<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Heniatus Zahroh<\/td>Jurnal<\/td>Diwan :JurnalBahasa dan Sastra Arab, vol. 8 no. 2<\/td>Tata bahasa kasus dalam novel \u201cnasiitu anni imra\u2019ah\u201d karya ihsan Abdul quddus berdasarkan perspektif charles j. Fillmore<\/td>https:\/\/journal.uin-alauddin.ac.id\/index.php\/diwan\/article\/view\/27938<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Neng sumiyati<\/td>Jurnal<\/td>Leksema, Vol. 7 No. 1<\/td>Fillmore\u2019s Case Grammar Analysis of Jinniy\u0101t Jabal Kumang Film Dialogues<\/td>https:\/\/ejournal.uinsaid.ac.id\/index.php\/leksema\/article\/view\/5021<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Nadya nafisah<\/td>Jurnal<\/td>Leksema, Vol. 7 No. 1<\/td>Fillmore\u2019s Case Grammar Analysis of Jinniy\u0101t Jabal Kumang Film Dialogues<\/td>https:\/\/ejournal.uinsaid.ac.id\/index.php\/leksema\/article\/view\/5021<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ely fauziah<\/td>Jurnal<\/td>Leksema, Vol. 7 No. 1<\/td>Fillmore\u2019s Case Grammar Analysis of Jinniy\u0101t Jabal Kumang Film Dialogues<\/td>https:\/\/ejournal.uinsaid.ac.id\/index.php\/leksema\/article\/view\/5021<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Muhammad Farhan Palowa<\/td>Jurnal<\/td>Lisanudhad: Jurnal Bahasa, Pembelajaran, dan Sastra Arab, Vol.9 No.2<\/td>At-Tadh\u0101d f\u012b Riw\u0101yat \u201cHik\u0101yat Al-Hubb\u201d li Gh\u0101zi Al-Qashaibiy (Dir\u0101sat Dil\u0101liyyat bi Manzhur John I. Saeed)<\/td>https:\/\/ejournal.unida.gontor.ac.id\/index.php\/lisanu\/article\/view\/8852<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Balkis Nur Azizah<\/td>Jurnal<\/td>Semantik,\u00a0 11 (1)<\/td>Konflik sosial dalam cerpen tepi shire karya tawakal m. Iqbal: analisis sosiologi sastra<\/td>https:\/\/e-journal.stkipsiliwangi.ac.id\/index.php\/semantik\/article\/view\/2730<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ahmad Zahrowii Danyal Abu Barzah<\/td>Jurnal<\/td>Hasta Wiyata 5 (2)<\/td>Makna cinta dalam lirik lagu Bismillah Cinta karya Sigit Purnomo: analisis semiotika Ferdinand De Saussure<\/td>https:\/\/hastawiyata.ub.ac.id\/index.php\/hastawiyata\/article\/view\/102<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Arina Haque<\/td>Jurnal<\/td>Buletin Al-Turas, 28 (2)<\/td>Al-Haqaiq al-Ijtima\u2019iyyah al-Andalus fi Syi\u2019r Madh wa Tahniah li Ibn Zaydun<\/td>https:\/\/journal.uinjkt.ac.id\/index.php\/al-turats\/article\/view\/21937\/pdf<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ni\u2019ma Rofidah<\/td>Jurnal<\/td>Journal of Arabic Literature (Jali), 4 (1)<\/td>Azmat al-Insaniyah fi Syi\u2019ri \u201cFi Intidzar al-mawt\u201d li Samar Yazbik<\/td>https:\/\/ejournal.uin-malang.ac.id\/index.php\/jali\/article\/view\/18034<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Baihaqi Mubarok<\/td>Jurnal<\/td>Journal of Arabic Literature (Jali), 4 (1)<\/td>Azmat al-Insaniyah fi Syi\u2019ri \u201cFi Intidzar al-mawt\u201d li Samar Yazbik<\/td>https:\/\/ejournal.uin-malang.ac.id\/index.php\/jali\/article\/view\/18034<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Zaujah Rodliyah Dzikrunastiti<\/td>Jurnal<\/td>LiNGUA Jurnal Ilmu Bahasa dan Sastra<\/td>Dirosatu At-Tanash Fii Qishoh Qoshiroh \u201cKanzu Asy-Syamardal\u201d Li Kamil Kilani Wa Hikayat \u201cJaudar Bin \u2018Umar At-Tajir Ma\u2019a Akhowaihi\u201d Fii Alfi Lailah Wa Lailatin<\/td>https:\/\/ejournal.uin-malang.ac.id\/index.php\/humbud\/article\/view\/15511<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Fihalisa Mughi Tri Alya<\/td>Jurnal<\/td>Al-Ma\u2019rifah: Jurnal Budaya, Bahasa, dan Sastra Arab 19 (No 1)<\/td>al-Af\u2018\u0101l al-Kal\u0101m\u012byah al-Inj\u0101z\u012byah \u2018inda Searle f\u012b al-Qi\u1e63\u1e63ah al-Qa\u1e63\u012brah Lu\u2019lu\u2019at al-\u1e62ab\u0101\u1e25 li-K\u0101mil K\u012bl\u0101n\u012b<\/td>https:\/\/journal.unj.ac.id\/unj\/index.php\/jba\/article\/view\/26313<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Avisena Perdana Putra Muama<\/td>Jurnal<\/td>JALi Journal of Arabic Literature 4 (1)<\/td>Colonization of subaltern women in the short story \u201cQisshatu Fathiyyah Al-Misriyyah\u201d<\/td>https:\/\/ejournal.uin-malang.ac.id\/index.php\/jali\/article\/view\/17882<\/a>\u00a0\u2026\u2026<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Neng Sumiyati<\/td>Prosiding<\/td>The 4th<\/sup>\u00a0Annual International Conference on Language, Literature and Media, 4 (2022), 236-251<\/td>Corpus-Based Analysis: Collocation of Netizen\u2019s Words in Indonesian News in 2020<\/a><\/td>http:\/\/conferences.uin-malang.ac.id\/index.php\/aicollim\/article\/view\/1947<\/a><\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ely Fauziyah<\/td>Prosiding<\/td>The 4th<\/sup>\u00a0Annual International Conference on Language, Literature and Media, 4 (2022), 236-251<\/td>Corpus-Based Analysis: Collocation of Netizen\u2019s Words in Indonesian News in 2020<\/a><\/td>http:\/\/conferences.uin-malang.ac.id\/index.php\/aicollim\/article\/view\/1947<\/a><\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Muhammad Sahumi Rosul<\/td>Prosiding<\/td>The 4th<\/sup>\u00a0Annual International Conference on Language, Literature and Media, 4 (2022), 259-281<\/td>Tahgriyat Al-Auzan al-Arudiyah fi Syi\u2019ri \u2018Ala Sahil al-Bahr Lana Garabah: Dirasah Tahliliyah Arudiyah<\/td>http:\/\/conferences.uin-malang.ac.id\/index.php\/aicollim\/article\/view\/1950<\/a><\/td><\/tr>
\u00a0<\/td>19310009<\/td>Anisatul Farida<\/td>Prosiding<\/td>Annual International Conferences on Language, Literature, and Media<\/td>Dynamics of Social Life of Laisa\u2019s Family in Tere Liye\u2019s \u201cDia<\/a>\u00a0adalah Kakakku\u201d<\/td>http:\/\/conferences.uin-malang.ac.id\/index.php\/aicollim\/article\/download\/1917\/778<\/a><\/td><\/tr>
\u00a0<\/td>19310054<\/td>Nurotul Muntahana<\/td>Prosiding<\/td>The 4th<\/sup>\u00a0Annual International Conference on Language, Literature and Media, 4 (2022), 259-281<\/td>Female Masculinity in The Novel \u201cWanasitu Anni Imra\u2019ah\u201d by Ihsan Abdul Quddus Based on John Beynon\u2019s Perspective<\/a><\/td>http:\/\/conferences.uin-malang.ac.id\/index.php\/aicollim\/article\/view\/1950<\/a><\/td><\/tr>
\u00a0<\/td>17310144<\/td>Dea Rosmaningsih<\/td>Prosiding<\/td>Annual International Conferences on Language, Literature, and Media.<\/td>AL-AF\u2019\u0100L ATS-TSUL\u0100TSIYYAH AL-MAZ\u012aDAH FI KIT\u0100BI TA\u2019L\u012aM AL-MUTA\u2019ALLIM THOR\u012aQU AT-TA\u2019ALLUM LI SYAIKH BURHAN ISLAM AZ-ZARNUJIY: DIR\u0100SAH \u1e62ARFIYYAH<\/a><\/td>http:\/\/conferences.uin-malang.ac.id\/index.php\/aicollim\/article\/view\/1931<\/a><\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Firda Nabilla Reza<\/td>Prosiding<\/td>Annual International Conferences on Language, Literature, and Media<\/td>AL-MA\u2019NA AL-MAFH\u016aMIY WA AT-TAR\u0100BU\u1e6cIY FI SYI\u2019RI \u201cAKHBIRN\u0100 NUKHBIRUKA\u201d LI \u1e62IR\u0100JUDDIN MUHAMMAD: DIR\u0100SAH DIL\u0100LIYYAH \u2018INDA GEOFFREY LEECH<\/a><\/td>http:\/\/conferences.uin-malang.ac.id\/index.php\/aicollim\/article\/view\/1943<\/a><\/td><\/tr>
\u00a0<\/td>200301110048<\/td>Maulana Muhammad Fikri<\/td>Prosiding<\/td>Annual International Conferences on Language, Literature, and Media<\/td>Semiotic Analysis on The Concept of Love in Nizar Qobbani\u2019s Risalah Min Ta\u1e25t Al-M\u0101\u2019i<\/a><\/td>http:\/\/conferences.uin-malang.ac.id\/index.php\/aicollim\/article\/view\/1942<\/a><\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Muhammad Khozinul Asror<\/td>Prosiding<\/td>Annual International Conferences on Language, Literature, and Media<\/td>MA\u2019NA AL-TASYJ\u012a\u2019FI AGNIYAH\u201d H\u0100WIL MARRATAN UKHRA WAKUN FU\u1e0c\u016aLIYYAN WA TA\u1e62NA\u2019AL-MUSTAH\u012aL\u201d LI HUMUUD AL-KHU\u1e0cR: DIR\u0100SAH SIMIU\u1e6c\u012aQIYYAH\u2019INDA FERDINAND DE SAUSSURE<\/a><\/td>http:\/\/conferences.uin-malang.ac.id\/index.php\/aicollim\/article\/view\/1929<\/a>\u00a0\u00a0<\/td><\/tr>
\u00a0<\/td>202117310191<\/td>Devi Laila Maghfiroh<\/td>Jurnal<\/td>Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia, Universitas Negeri Semarang.<\/td>Case Grammar in the Movie \u201cThe Gentlemen\u201d Based on the Perspective of Charles J. Fillmore<\/a><\/td>https:\/\/journal.unnes.ac.id\/sju\/index.php\/seloka\/article\/view\/45491<\/a><\/td><\/tr>
\u00a0<\/td>17310191<\/td>Devi Laila Maghfiroh<\/td>Jurnal<\/td>Kembara: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya, Universitas Muhammadiyah Malang<\/td>Konflik sosial dalam novel Aib dan Nasib karya Minanto berdasarkan perspektif George Simmel<\/td>https:\/\/ejournal.umm.ac.id\/index.php\/kembara\/article\/view\/15634<\/a><\/td><\/tr>
\u00a0<\/td>17310078<\/td>Argha Zidan Arzaqi<\/td>Jurnal<\/td>Kembara: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya, Universitas Muhammadiyah Malang<\/td>Case grammar in film \u201cthe Professor and the Madman\u201d based on Charles J. Fillmore\u2019s Perspective<\/a><\/td>https:\/\/ejournal.umm.ac.id\/index.php\/kembara\/article\/view\/15870<\/a><\/td><\/tr>
\u00a0<\/td>17310079<\/td>Ali Makhfud Afiyanto<\/td>Jurnal<\/td>Kembara: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya, Universitas Muhammadiyah Malang<\/td>Case grammar in film \u201cthe Professor and the Madman\u201d based on Charles J. Fillmore\u2019s Perspective<\/a><\/td>https:\/\/ejournal.umm.ac.id\/index.php\/kembara\/article\/view\/15870<\/a><\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Habib Insan Kamil<\/td>Jurnal<\/td>Diglosia:\u00a0Jurnal Kajian Bahasa, Sastra, dan Pengajarannya, Universitas Mulawarman.<\/em><\/td>Struktur Kalimat pada Film Knives Out Berdasarkan Perspektif Tata Bahasa Kasus Charles J. Fillmore<\/a><\/td>http:\/\/diglosiaunmul.com\/index.php\/diglosia\/article\/view\/209<\/a><\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Muthma Innah<\/td>Jurnal<\/td>Diglosia:\u00a0Jurnal Kajian Bahasa, Sastra, dan Pengajarannya, Universitas Mulawarman.<\/em><\/td>Struktur Kalimat pada Film Knives Out Berdasarkan Perspektif Tata Bahasa Kasus Charles J. Fillmore<\/a><\/td>http:\/\/diglosiaunmul.com\/index.php\/diglosia\/article\/view\/209<\/a><\/td><\/tr>
\u00a0<\/td>18310046<\/td>Nushrotun Nida<\/td>Jurnal<\/td>Journal of Arabic Literature (JALi), Fakultas Humaniora, Universitas Islam Negeri Maulana Malik Ibrahim Malang<\/td>Haqaiq al Hayah al Falastiniyyah fi Syi\u2019ir \u201cYaumiyyat Jarh Falistin\u201d li Mahmoud Darwish<\/td>https:\/\/ejournal.uin-malang.ac.id\/index.php\/jali\/article\/view\/12065<\/a><\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Arina Haque<\/td>Jurnal<\/td>Alsuniyat, ISSN Print: 2615-7241, ISSN Online: 2721-480X, UPI Bandung<\/td>Ibnu Zayd\u016bn wa Taq\u0101l\u012bd Asy-Syi\u2019ri Al-Andalus\u012b<\/td>https:\/\/ejournal.upi.edu\/index.php\/alsuniyat\/article\/view\/38724<\/a><\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Hanna Izzah Syafina<\/td>Jurnal<\/td>LiNGUA Vol. 16, No. 2<\/td>Al-Huqul Ad-Dalaliyah Wa Mukawwinah Al-Ma\u2019na Li Fi\u2019li \u201cThahhara\u201d Fi Al-Qur\u2019an<\/strong><\/td>https:\/\/ejournal.uin-malang.ac.id\/index.php\/humbud\/article\/view\/13225<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Fasky Randika<\/td>Jurnal<\/td>Lisanudhad: Jurnal Bahasa, Pembelajaran, dan Sastra Arab 8 (1)<\/td>Al-Ma\u2019na al-Tarabuthi fi Riwayati Mauti Ma\u2019ali al-Wazir Nawal El-Sa\u2019dawi \u2018ala Asasi Nadzariyyati Geoffrey Leech<\/strong><\/td>https:\/\/ejournal.unida.gontor.ac.id\/index.php\/lisanu\/article\/view\/6485<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Argha Zidan Arzaqi<\/td>Jurnal<\/td>Kembara: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya 7 (1)<\/td>Case grammar in film \u201cthe Professor and the Madman\u201d based on Charles J. Fillmore\u2019s Perspective<\/strong><\/td>https:\/\/ejournal.umm.ac.id\/index.php\/kembara\/article\/view\/15870<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ali Makhfud Afiyanto<\/td>Jurnal<\/td>Kembara: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya 7 (1)<\/td>Case grammar in film \u201cthe Professor and the Madman\u201d based on Charles J. Fillmore\u2019s Perspective<\/strong><\/td>https:\/\/ejournal.umm.ac.id\/index.php\/kembara\/article\/view\/15870<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Devi Laila Maghfiroh<\/td>Jurnal<\/td>Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia 10 (1)<\/td>Case Grammar in the Movie The Gentlemen Based on the Perspective of Charles J. Fillmore<\/strong><\/td>https:\/\/journal.unnes.ac.id\/sju\/seloka\/article\/view\/45491<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Diah Ayu Khoirunnisa<\/td>Jurnal<\/td>JALi Journal of Arabic Literature, 3 (1)<\/td>Tahl\u012bl Riw\u0101yah Sal\u0101mull\u0101h \u2018Ala \u2018Ainaik li Muhammad al-Muslim (Dir\u0101sah Simiy\u0101iyyah Roland Barthes)<\/strong><\/td>https:\/\/ejournal.uin-malang.ac.id\/index.php\/jali\/article\/view\/14096<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Nur Hamidah<\/td>Jurnal<\/td>Journal of Arabic Literature (Jali) 2 (2)<\/td>Fann al-Jinas wa Saja fi mandhumah al-faraid al-Bahiyah fi al-Qawaid al-Fiqhiyyah li Sayyid Abi Bakar al-Ahdaly al-Yamany as-Syafii (Dirasah Tahliliyah Baalaghiyah)<\/strong><\/td>https:\/\/ejournal.uin-malang.ac.id\/index.php\/jali\/article\/view\/12277<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Zamzam afandi<\/td>Jurnal<\/td>LiNGUA 16 (1)<\/td>Al-takw\u012bl al- ba\u1e6din\u012b li mus\u1e6dalah\u0101t an-nahwi (takamul al-tasawwuf wa al-nahwi)<\/strong><\/td>https:\/\/ejournal.uin-malang.ac.id\/index.php\/humbud\/article\/view\/12242<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Husna wati Zahra<\/td>Jurnal<\/td>Journal of Arabic Literature (JaLi) 3 (1)<\/td>Al-Uzmah al-Bi\u1e6drikiyah f\u012b Riw\u0101yati \u201cNisy\u0101n\u201d Li Ahl\u0101m Mustag\u0101nemiy (Dir\u0101sah Nis\u0101iyah \u2018al\u0101 \u1e0caui Na\u1e93ariyah Julia Kresteva)<\/strong><\/td>https:\/\/ejournal.uin-malang.ac.id\/index.php\/jali\/article\/view\/14095<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Marisa Salsabila Hamas<\/td>Jurnal<\/td>JALi Journal of Arabic Literature 3 (1)<\/td>As-Sul\u1e6datu wa al-haimanatu as-siy\u0101siyatu fi al-diw\u0101n li Ahmad Ma\u1e6dar (Dir\u0101sah al-Adab al-Ijtim\u0101iy\u2019inda Antonio Gramsci)<\/strong><\/td>https:\/\/ejournal.uin-malang.ac.id\/index.php\/jali\/article\/view\/13373<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Isma Nida Aulia<\/td>Jurnal<\/td>Social network Analysis an Mining<\/td>The reconstruction of Arab Women Role in Media: A critical discourse analysis<\/strong><\/td>https:\/\/link.springer.com\/article\/10.1007\/s13278-021-00809-0<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Nashrul Habibi<\/td>Prosiding<\/td>The 3rd International Conference on Social Sciences, Laws, Arts and Humanities (BINUS-JIC 2018)\/ www.scitepress.org<\/td>Tahlil Tradition and Its Impact on Moslem Community\u2019s Psycho-Social Stability\u00a0\u00a0<\/td>https:\/\/www.scitepress.org\/Papers\/2018\/100050\/100050.pdf<\/a><\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Mickyal Fichriz Balada Bela<\/td>Prosiding<\/td>ScitePress<\/td>Tahlil Tradition and Its Impact on Moslem Community\u2019s Psycho-Social Stability\u00a0\u00a0<\/td>https:\/\/www.scitepress.org\/Papers\/2018\/100050\/100050.pdf<\/a><\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Nur Widad Mazaya<\/td>Prosiding<\/td>3rd<\/sup>\u00a0AICOLLIM Annual International Conferences on Language, Literature, and Media.<\/td>Social Exchange In Matilda Film By Roald Dahl Based On Peter Blau\u2019s Perspective<\/td>http:\/\/conferences.uin-malang.ac.id\/index.php\/aicollim\/article\/view\/1341<\/a><\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Mar\u2019atun Nailur Rif\u2019ah<\/td>Prosiding<\/td>3rd<\/sup>\u00a0AICOLLIMAnnual International Conferences on Language, Literature, and Media.<\/td>Fa\u2019aliyah al-taqshish wa al-tarfih fi sardi al-hikayah al-khurafiyah bathal atena: dirasah sardiyah gerard genette<\/a><\/td>http:\/\/conferences.uin-malang.ac.id\/index.php\/aicollim\/article\/view\/1372<\/a><\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Tahliyatud Dayyanah<\/td>Prosiding<\/td>3rd<\/sup>\u00a0AICOLLIMAnnual International Conferences on Language, Literature, and Media.<\/td>Waqi\u2019iyatu al-mujtama\u2019i al-arabi al-jahili fi al-muallaqat li zuhair bin abi sulma<\/a><\/td>http:\/\/conferences.uin-malang.ac.id\/index.php\/aicollim\/article\/view\/1373<\/a><\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Marisa Salsabila Hamas<\/td>Prosiding<\/td>3rd<\/sup>\u00a0AICOLLIMAnnual International Conferences on Language, Literature, and Media.<\/td>Moral Message In Advertisement \u201c\u0644\u0627 \u064a\u0646\u0633\u0627\u0646\u0627 \u0627\u0644\u0644\u0647\u201d By Zain Group: Roland Barthes Semiotic Analysis<\/td>https:\/\/conferences.uin-malang.ac.id\/index.php\/aicollim\/article\/view\/1339<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Luthf Annisa<\/td>Prosiding<\/td>3rd<\/sup>\u00a0AICOLLIMAnnual International Conferences on Language, Literature, and Media.<\/td>Cooperative Principle In Novel \u201cDrupadi\u201d By Seno Gumira Ajidarma: Grice\u2019s Perspective<\/td>https:\/\/conferences.uin-malang.ac.id\/index.php\/aicollim\/article\/view\/1347<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Nnadang Nurdiansah<\/td>Prosiding<\/td>3rd<\/sup>\u00a0AICOLLIMAnnual International Conferences on Language, Literature, and Media.<\/td>Cooperative Principle In Novel \u201cDrupadi\u201d By Seno Gumira Ajidarma: Grice\u2019s Perspective<\/td>https:\/\/conferences.uin-malang.ac.id\/index.php\/aicollim\/article\/view\/1347<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ibtisam<\/td>Prosiding<\/td>3rd<\/sup>\u00a0AICOLLIMAnnual International Conferences on Language, Literature, and Media.<\/td>Al ismu ghoiri al-munsharifi fi kitab mukhtashar ibnu abi jamrah li asy syanwani<\/a><\/td>http:\/\/conferences.uin-malang.ac.id\/index.php\/aicollim\/article\/view\/1374<\/a><\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ely Fauziyah<\/td>Prosiding<\/td>3rd<\/sup>\u00a0AICOLLIMAnnual International Conferences on Language, Literature, and Media.<\/td>Tatbiqu mabadi\u2019 al-kiyasah fi filem alladin \u2018ala asasi nadhoriyati geoffrey neil leech<\/a><\/td>http:\/\/conferences.uin-malang.ac.id\/index.php\/aicollim\/article\/view\/1375<\/a><\/td><\/tr>
\u00a0<\/td>17310191<\/td>Devi Laila Maghfiroh<\/td>Prosiding<\/td>3rd<\/sup>\u00a0AICOLLIMAnnual International Conferences on Language, Literature, and Media.<\/td>Dir\u0101sah al-muq\u0101ranah al-adabiyah fi riw\u0101yah bel\u0101d bel\u0101 sama\u2019 wa riw\u0101yah \u2018a\u1e93ra j\u0101karta<\/a><\/td>http:\/\/conferences.uin-malang.ac.id\/index.php\/aicollim\/article\/view\/1376<\/a><\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Illa Fadzilah<\/td>Prosiding<\/td>3rd<\/sup>\u00a0AICOLLIMAnnual International Conferences on Language, Literature, and Media.<\/td>Afiks\u0101si fil-kit\u0101b al-muqoddimah al-hadramiyah binadhariyyati muhammad ali al-khully<\/a><\/td>http:\/\/conferences.uin-malang.ac.id\/index.php\/aicollim\/article\/view\/1379<\/a><\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Habil Abyad<\/td>Buku<\/td>Guemedia Group<\/td>Antologi Puisi \u201cBUNGA EMBUN\u201d<\/td>https:\/\/www.instagram.com\/p\/CT__n1qPDKd\/?igsh=cTkwcXVncmRzZndq<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Nabila Nur Khonsa<\/td>Buku<\/td>KMO Indonesia<\/td>Novel \u201cENAM TAHUN\u201d<\/td>https:\/\/www.instagram.com\/p\/CUxXyYdPipx\/?igsh=MTg1MjhvdzRhMnho<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ichwanul Muttaqin<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Konflik Sosial Dalam Novel \u201cKelir Slindet\u201d Karya Kedung Dharma Romansha Berdasarkan Perspektif Randall Collins<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Muhammad Hasan Ma\u2019ruf<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Konflik Sosial Dalam Novel \u201cKelir Slindet\u201d Karya Kedung Dharma Romansha Berdasarkan Perspektif Randall Collins<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>M Chusni Farid Wajdi<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Konflik Sosial Dalam Film \u201cBeast Of No Nation\u201d Yang Disutradarai Oleh Cary Fukunaga Berdasarkan Perspektif Ralf Dahrendorf<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Arif Malik Aziz<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Konflik Sosial Dalam Film \u201cBeast Of No Nation\u201d Yang Disutradarai Oleh Cary Fukunaga Berdasarkan Perspektif Ralf Dahrendorf<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ananda Suranto Moh.\u00a0 Ihsan<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Konflik Budaya Dalam Film \u201cMidsommar\u201d Yang Disutradarai Oleh Ari Aster Berdasarkan Perspektif Ralf Dahrendorf<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Tyas Tsani Nugraha<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Konflik Budaya Dalam Film \u201cMidsommar\u201d Yang Disutradarai Oleh Ari Aster Berdasarkan Perspektif Ralf Dahrendorf<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Zainul Muttaqin<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Konflik Budaya Dalam Film \u201cMidsommar\u201d Yang Disutradarai Oleh Ari Aster Berdasarkan Perspektif Ralf Dahrendorf<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ahmad Sholahuddin Zuhri<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Konflik Sosial kelompok Masyrakatan Dalam Novel \u201cPara Bajingan Yang Menyenangkan\u201d Karya Puthut Ea Berdasarkan Perspektif Bruce J. Cohen<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ahmad Fajrul Islami<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Konflik Sosial kelompok Masyrakatan Dalam Novel \u201cPara Bajingan Yang Menyenangkan\u201d Karya Puthut Ea Berdasarkan Perspektif Bruce J. Cohen<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Habib Al-amien\u00a0<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Konflik Sosial Keluarga Dalam Novel \u201cJermal\u201d Karya Yokie Adityo Berdasarkan Perspektif Bruce J. Cohen<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ainu Habibi<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Konflik Sosial Keluarga Dalam Novel \u201cJermal\u201d Karya Yokie Adityo Berdasarkan Perspektif Bruce J. Cohen<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Argha Zidan Arzaqi<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Potret Konflik Sosial Dalam Novel \u201c86\u201d Karya Okky Madasari Berdasarkan Perspektif Karl Marx<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Dimas Luqman Al Furqaan<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Potret Konflik Sosial Dalam Novel \u201c86\u201d Karya Okky Madasari Berdasarkan Perspektif Karl Marx<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Siti Ummi Habibah<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Konflik Sosial Dalam Film \u201c2014: Siapa Di Atas Presiden?\u201d Yang Disutradarai Oleh Rahabi Mandra dan Hanung Bramantyo Berdasarkan Perspektif Max Weber<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Muhammad Hisyam Firdaus<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>TINDAKAN SOSIAL TOKOH UTAMA DALAM FILM \u201cTHE ART OF GETTING BY\u201d YANG DISUTRADARAI OLEH GAVIN WIESEN BERDASARKAN PERSPEKTIF MAX WEBER<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ahmad Adzkia Mukhlishin<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Tindakan Sosial Tokoh Utama Dalam Film \u201cThe Art Of Getting By\u201d Yang Disutradarai Oleh Gavin Wiesen Berdasarkan Perspektif Max Weber<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>17310191<\/td>Devi Laila Maghfiroh<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Disekuilibrium Gender Dalam Film \u201cKim Ji-Young: Born 1982\u201d Yang Disutradarai Oleh Kim Do-Young Berdasarkan Perspektif Helene Cixous<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Salsabila As Shofi<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Disekuilibrium Gender Dalam Film \u201cKim Ji-Young: Born 1982\u201d Yang Disutradarai Oleh Kim Do-Young Berdasarkan Perspektif Helene Cixous<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Novi Putri Hidayati<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Independensi Perempuan Dalam Novel \u201cSi Parasit Lajang\u201d Karya Ayu Utami Berdasarkan Perspektif Helene Cixous<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Hasna Emas Rosyada<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Independensi Perempuan Dalam Novel \u201cSi Parasit Lajang\u201d Karya Ayu Utami Berdasarkan Perspektif Helene Cixous<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Febriyanti Wasiatul Fikriyah<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Citra Perempuan Tokoh Utama Dalam Novel \u201cMy Bad Boy Husband\u201d Karya Tanzyla Dinda Berdasarkan Perspektif Helene Cixous<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Alfiana Nikmah<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Citra Perempuan Tokoh Utama Dalam Novel \u201cMy Bad Boy Husband\u201d Karya Tanzyla Dinda Berdasarkan Perspektif Helene Cixous<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Fahma Febriyanti<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Pemberontakan Perempuan Terhadap Budaya Patriarki Pada Era Kolonialisme Dalam Film \u201cThe Nightingale\u201d Yang Disutradarai Oleh Jennifer Kent Berdasarkan Perspektif Luce Irigaray<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Asfina Syifaatul Insiyyah<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Pemberontakan Perempuan Terhadap Budaya Patriarki Pada Era Kolonialisme Dalam Film \u201cThe Nightingale\u201d Yang Disutradarai Oleh Jennifer Kent Berdasarkan Perspektif Luce Irigaray<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Anggita Rini Setyowati<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Maskulinitas Perempuan Dalam Film \u201cCaptain Marvel\u201d Yang Disutradarai Oleh Anna Boden Dan Ryan Fleck Berdasarkan Perspektif Luce Irigaray<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Mardhatillah<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Maskulinitas Perempuan Dalam Film \u201cCaptain Marvel\u201d Yang Disutradarai Oleh Anna Boden Dan Ryan Fleck Berdasarkan Perspektif Luce Irigaray<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Mirza Azizah<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Emansipasi Tokoh Utama Dalam Film \u201cLittle Women\u201d Yang Disutradarai Oleh Greta Gerwig Berdasarkan Perspektif Maggie Humm<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Kamalia Puspitasari<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Emansipasi Tokoh Utama Dalam Film \u201cLittle Women\u201d Yang Disutradarai Oleh Greta Gerwig Berdasarkan Perspektif Maggie Humm<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Baiq Hikmatussofa<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Perlawanan Perempuan Terhadap Budaya Patriarki Dalam Film \u201cOn The Basis Of Sex\u201d Yang Disutradarai Oleh Mimi Leder Berdasarkan Perspektif Maggie Humm<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Husnizan Hayati<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Perlawanan Perempuan Terhadap Budaya Patriarki Dalam Film \u201cOn The Basis Of Sex\u201d Yang Disutradarai Oleh Mimi Leder Berdasarkan Perspektif Maggie Humm<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Nahdhiyatus Sholihah<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Resistensi Perempuan Dalam Cerpen \u201cMengais Sisa Mimpi Di Negeri Bengali\u201d Karya Hanifa Silvi Azri Syafani Berdasarkan Perspektif Maggie Humm<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Neng Sumiyati<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Resistensi Perempuan Dalam Cerpen \u201cMengais Sisa Mimpi Di Negeri Bengali\u201d Karya Hanifa Silvi Azri Syafani Berdasarkan Perspektif Maggie Humm<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Firda Rohmatul Maulidiyah<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Rekonstruksi Martabat Perempuan Melalui Cyberfeminisme Dalam Film \u201cJoy\u201d Yang Disutradarai Oleh David O. Russel Berdasarkan Perspektif Donna J. Haraway<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Fitria Ni\u2019matussholihah<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Rekonstruksi Martabat Perempuan Melalui Cyberfeminisme Dalam Film \u201cJoy\u201d Yang Disutradarai Oleh David O. Russel Berdasarkan Perspektif Donna J. Haraway<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Fadzilah Romadani<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Cyberfeminisme Dalam Film \u201cAlita: Battle Angel\u201d Yang Disutradarai Oleh Robert Rodriguez Berdasarkan Perspektif Donna J. HarawaY<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Dynta Nabila Mahtristhasufi<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Cyberfeminisme Dalam Film \u201cAlita: Battle Angel\u201d Yang Disutradarai Oleh Robert Rodriguez Berdasarkan Perspektif Donna J. HarawaY<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Nushrotun Nida<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Cyberfeminisme Dalam Film \u201cAlita: Battle Angel\u201d Yang Disutradarai Oleh Robert Rodriguez Berdasarkan Perspektif Donna J. HarawaY<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Siti Toifatul Karomah<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Manifestasi\u00a0Cyberfeminisme\u00a0<\/em>Terhadap Gerakan Perempuan Dalam Film \u201cHidden Figures\u201d Yang Disutradarai Oleh Theodore Melfi Berdasarkan Perspektif Donna J. Haraway<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Suci Khoeronisa R<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Manifestasi\u00a0Cyberfeminisme\u00a0<\/em>Terhadap Gerakan Perempuan Dalam Film \u201cHidden Figures\u201d Yang Disutradarai Oleh Theodore Melfi Berdasarkan Perspektif Donna J. Haraway<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ely Fauziyah<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Resistensi Perempuan Kulit Hitam Dalam Film \u201cHidden Figures\u201d Yang Disutradarai Oleh Theodore Melfi Berdasarkan Perspektif Julia Kristeva<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Nur Hamidah<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Resistensi Perempuan Kulit Hitam Dalam Film \u201cHidden Figures\u201d Yang Disutradarai Oleh Theodore Melfi Berdasarkan Perspektif Julia Kristeva<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Mutma Innah<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Perlawanan Perempuan Dalam Cerpen \u201cShima\u201d Karya Afifah Afra Berdasarkan Perspektif Julia Kristeva<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Nur Afifah Farawansyah<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Perlawanan Perempuan Dalam Cerpen \u201cShima\u201d Karya Afifah Afra Berdasarkan Perspektif Julia Kristeva<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ida Nurjannah<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Perlawanan Perempuan Terhadap Budaya Kolonial Dalam Novel \u201cBumi Manusia\u201d Karya Pramoedya Ananta Toer Berdasarkan Perspektif Naomi Wolf<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Lailatul Izha<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Perlawanan Perempuan Terhadap Budaya Kolonial Dalam Novel \u201cBumi Manusia\u201d Karya Pramoedya Ananta Toer Berdasarkan Perspektif Naomi Wolf<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Elina Muzakiyah<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Otoritas Perempuan Dalam Film \u201cMarlina: The Murderer In Four Acts\u201d Yang Disutradarai Oleh Mouly Surya Berdasarkan Perspektif\u00a0 Naomi Wolf<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Jinyujia<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Otoritas Perempuan Dalam Film \u201cMarlina: The Murderer In Four Acts\u201d Yang Disutradarai Oleh Mouly Surya Berdasarkan Perspektif\u00a0 Naomi Wolf<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Putri Nurviyanti<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Otoritas Perempuan Dalam Film \u201cMarlina: The Murderer In Four Acts\u201d Yang Disutradarai Oleh Mouly Surya Berdasarkan Perspektif\u00a0 Naomi Wolf<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Isna Nur Azizah<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Gerakan Feminisme Tokoh Utama Dalam Film \u201cSuffragette\u201d Yang Disutradarai Sarah Gavron Berdasarkan Prespektif Naomi Wolf<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ilma Nadhirotul Khusna<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Gerakan Feminisme Tokoh Utama Dalam Film \u201cSuffragette\u201d Yang Disutradarai Sarah Gavron Berdasarkan Prespektif Naomi Wolf<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>17310191,\u00a0<\/td>Devi Laila Maghfiroh, Salsabila As Shofi<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Tindak Tutur Lokusi, Ilokusi, Dan Perlokusi Dalam Film \u201cKim Ji-Young, Born 1982\u201d\u00a0<\/em>Yang Disutradarai Oleh Kim Do-Young Berdasarkan Perspektif John L. Austin<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Fasky Randika, Arif Malik Aziz<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Tindak Tutur Ilokusi Dalam Film \u201cAvatar: The Legend Of Korra Book 4 Episode 2\u201d Yang Disutradarai Lauren Macmullan Berdasarkan Perspektif John R. Searle<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ikrammullah, Ali Syazwin<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Tindak Tutur Ilokusi Pada Tokoh Pak Mahmud Dalam Film \u201cMencari Hilal\u201d Yang Disutradarai Oleh Ismail Basbeth Berdasarkan Perspektif John R. Searle<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ahmad Sholahuddin Zuhri, Ahmad Fajrul Islami<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Tindak Tutur Ilokusi Dalam Film \u201cGhost Writer\u201d Yang Disutradarai Oleh Bene Dionysius Berdasarkan Perspektif John R. Searle<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Argha Zidan Arzaqi, Ali Makhfud Afiyanto<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Tindak Tutur Langsung Dan Tindak Tutur Tidak Langsung Dalam Film \u201cKoboy Kampus\u201d Yang Disutradarai Oleh Tubagus Deddy Dan Pidi Baiq Perspektif John R. Searle<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ely Fauziyah, Nahdhiyatus Sholihah<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Tindak Tutur Langsung Dan Tindak Tutur Tidak Langsung Dalam Cerpen \u201cAsa Dibalik Awan\u201d Karya Ari Yulianti Berdasarkan Perspektif John R. Searle<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Nurmiati Habib, Kamila Maryam Kotta<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Tindak Tutur Langsung Dan Tindak Tutur Tidak Langsung Dalam Program Tv Aiman \u201cEpisode Fakta Baru Kejahatan Predator Reynhard\u201d Berdasarkan Perspektif John R. Searle<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Aisyah Putri Nanda Sukma, Muhamad Syahril<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. MalangEdulitera<\/td>Tindak Tutur Tidak Langsung Tokoh Utama Dalam Novel \u201cCanting\u201d Karya Fissilmi Hamida Berdasarkan Perspektif JohN R. Searle<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Abdulloh Asrori<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Tindak Tutur Langsung Tokoh Manal Dalam Novel \u201cBadai Musim Semi\u201d Karya Naguib Alkailani Berdasarkan Perspektif John R. Searle<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Dynta Nabila Mahtristhasufi, Fadzilah Romadani<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Tindak Tutur Asertif, Direktif, Komisif, Ekspresif, Dan Deklaratif Dalam Film \u201cFrozen 2\u201d Yang Disutradarai Oleh Chris Buck, Dkk Berdasarkan Perspektif John R. Searle<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Aisiyah Amini<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Tindak tutur ekspresif dalam episode pilihan animasi \u201cnusa dan rarra\u201d berdasarkan perspektif john r. Searle<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Muhammad Syahrawardi<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Tindak tutur deklaratif dalam novel \u201cakhir sebuah penantian\u201d karya sri suparni soedomo berdasarkan perspektif john r. Searle<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Nur Wahidatul Anam, Mutma Innah<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Tindak tutur konstatif dan tindak tutur performatif tokoh utama dalam film \u201cghost writer\u201d yang disutradarai oleh bene dionysius berdasarkan perspektif john l. Austin<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Habib Insan Kamil<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Implikatur Konvensional Dan Implikatur Konversasional Tokoh Bung Dalam Novel \u201cArah Langkah\u201d Karya Fiersa Besari Berdasarkan Perspektif Herbert Paul Grice<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Faris Abdurrahman Zuhad<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Implikatur Konvensional Dan Implikatur Konversasional Tokoh Bung Dalam Novel \u201cArah Langkah\u201d Karya Fiersa Besari Berdasarkan Perspektif Herbert Paul Grice<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ida Nurjannah<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Implikatur Konvensional Dan Implikatur Konversasional Dalam Film \u201cBridezilla\u201d Yang Disutradarai Oleh Andi Bachtiar Yusuf Berdasarkan Perspektif Herbert Paul Grice<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Resa Amelia<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Implikatur Konvensional Dan Implikatur Konversasional Dalam Film \u201cBridezilla\u201d Yang Disutradarai Oleh Andi Bachtiar Yusuf Berdasarkan Perspektif Herbert Paul Grice<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Siti Toifatul Karomah<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Implikatur Konvensional Dan Implikatur Konversasional Dalam\u00a0Talkshow\u00a0<\/em>\u201cCatatan Najwa: Mahathir Bicara Ulama Dan Jokowi\u201d Berdasarkan Perspektif Herbert Paul Grice<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Suci Khoeronisa R<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Implikatur Konvensional Dan Implikatur Konversasional Dalam\u00a0Talkshow\u00a0<\/em>\u201cCatatan Najwa: Mahathir Bicara Ulama Dan Jokowi\u201d Berdasarkan Perspektif Herbert Paul Grice<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>M. Chusni Farid Wajdi<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Implikatur Konvensional Dan Implikatur Konversasional Dalam Buku Komik \u201cKitab Komik Sufi 2\u201d Karya Bayu Priyambodo Berdasarkan Perspektif Herbert Paul Grice<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Irvan Al Ghoffar<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Implikatur Konvensional Dan Implikatur Konversasional Dalam Buku Komik \u201cKitab Komik Sufi 2\u201d Karya Bayu Priyambodo Berdasarkan Perspektif Herbert Paul Grice<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Muhammad Izzuddin<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Implikatur Konvensional Dan Konversasional Dalam Novel \u201cMerasa Pintar Bodoh Saja Tak Punya\u201d Karya Rusdi Mathari Berdasarkan Perspektif Herbert Paul Grice<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Kamaruddin<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Implikatur Konvensional Dan Konversasional Dalam Novel \u201cMerasa Pintar Bodoh Saja Tak Punya\u201d Karya Rusdi Mathari Berdasarkan Perspektif Herbert Paul Grice<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Lalu M. Barrie Nuansa Ramadhon<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Implikatur Konvensional Dan Konversasional Dalam Novel \u201cMerasa Pintar Bodoh Saja Tak Punya\u201d Karya Rusdi Mathari Berdasarkan Perspektif Herbert Paul Grice<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Lailatul Izha<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Implikatur percakapan umum dan implikatur percakapan khusus dalam film \u201c2014: siapa di atas presiden?\u201d Yang disutradarai oleh rahabi mandra dan hanung bramantyo\u201d berdasarkan perspektif gerald gazdar<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Asfina Syifaatul Insiyyah<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Implikatur percakapan umum dan implikatur percakapan khusus dalam film \u201c2014: siapa di atas presiden?\u201d Yang disutradarai oleh rahabi mandra dan hanung bramantyo\u201d berdasarkan perspektif gerald gazdar<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ardiansyah<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Implikatur Percakapan Umum Dan Implikatur Percakapan Khusus Dalam Film \u201cThe Greatest Showman\u201d Yang Disutradarai Oleh Michael Gracey Berdasarkan Perspektif Gerald Gazdar<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Muchammad Nur Rochman<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Implikatur Percakapan Umum Dan Implikatur Percakapan Khusus Dalam Film \u201cThe Greatest Showman\u201d Yang Disutradarai Oleh Michael Gracey Berdasarkan Perspektif Gerald Gazdar<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Muhammad Hisyam Firdaus<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0Dau, Kab. Malang<\/td>Implikatur Percakapan Tokoh Utama Dalam Film \u201cAmelie\u201d Yang Disutradarai Oleh Jean Pierre Jeunet Berdasarkan Perspektif Herbert Paul Grice<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Abdurrahman Abror<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0 Dau, Kab. Malang<\/td>Implikatur Percakapan Tokoh Utama Dalam Film \u201cAmelie\u201d Yang Disutradarai Oleh Jean Pierre Jeunet Berdasarkan Perspektif Herbert Paul Grice<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Mochammad Choiron Mahmudin<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0 Dau, Kab. Malang<\/td>Prinsip kerja sama pada film \u201cwarkop dki reborn: jangkrik boss! Part 2\u201d yang disutradarai oleh anggy umbara berdasarkan perspektif herbert paul grice<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Muhammad Hasan Ma`ruf<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0 Dau, Kab. Malang<\/td>Prinsip kerja sama pada film \u201cwarkop dki reborn: jangkrik boss! Part 2\u201d yang disutradarai oleh anggy umbara berdasarkan perspektif herbert paul grice<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Jin Yu Jia<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0 Dau, Kab. Malang<\/td>Prinsip Kerja Sama Pada Percakapan Antara Tokoh Sam Dan Rusmus Dalam Novel \u201cBerlabuh Di Lindoya\u201d Karya Kusumastuti Fischer Berdasarkan Perspektif Herbert Paul Grice<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ummu Rizqi A Haris<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0 Dau, Kab. Malang<\/td>Prinsip Kerja Sama Pada Percakapan Antara Tokoh Sam Dan Rusmus Dalam Novel \u201cBerlabuh Di Lindoya\u201d Karya Kusumastuti Fischer Berdasarkan Perspektif Herbert Paul Grice<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Mohammad Irvan Muzakky<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0 Dau, Kab. Malang<\/td>Penyimpangan Prinsip Kerja Sama Dalam Film Pendek \u201cRotasi\u201d\u00a0<\/em>Yang Disutradarai Oleh Destian Rendra Berdasarkan Perspektif Herbert Paul Grice<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Fahim Himami Izza<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0 Dau, Kab. Malang<\/td>Penyimpangan Prinsip Kerja Sama Dalam Film Pendek \u201cRotasi\u201d\u00a0<\/em>Yang Disutradarai Oleh Destian Rendra Berdasarkan Perspektif Herbert Paul Grice<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Arina Haque<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0 Dau, Kab. Malang<\/td>Prinsip Kesantunan Berbahasa Dalam Novel \u201cCinderella\u2019s Secret\u201d\u00a0<\/em>Karya Nuniek Kr Berdasarkan Perspektif Geoffrey Leech<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>R Wienia Aicha Dewi<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0 Dau, Kab. Malang<\/td>Prinsip Kesantunan Berbahasa Dalam Novel \u201cCinderella\u2019s Secret\u201d\u00a0<\/em>Karya Nuniek Kr Berdasarkan Perspektif Geoffrey Leech<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Habil Abyad<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0 Dau, Kab. Malang<\/td>Prinsip Kesantunan Berbahasa Dalam Novel \u201cCinderella\u2019s Secret\u201d\u00a0<\/em>Karya Nuniek Kr Berdasarkan Perspektif Geoffrey Leech<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Fahma Febriyanti<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0 Dau, Kab. Malang<\/td>Prinsip Kesantunan Dalam Film \u201cTeman Tapi Menikah\u201d Yang Disutradarai Oleh Rako Prijanto Berdasarkan Perspektif Geoffrey Leech<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Husnizan Hayati<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0 Dau, Kab. Malang<\/td>Prinsip Kesantunan Dalam Film \u201cTeman Tapi Menikah\u201d Yang Disutradarai Oleh Rako Prijanto Berdasarkan Perspektif Geoffrey Leech<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ichwanul Muttaqin<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0 Dau, Kab. Malang<\/td>Prinsip Kesantunan Pada Tokoh Bayu Dalam Film \u201cYowes Ben 2\u201d Yang Disutradarai Oleh Fajar Nugros Berdasarkan Perspektif Brown Dan Levinson<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ainu Habibi<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0 Dau, Kab. Malang<\/td>Prinsip Kesantunan Pada Tokoh Bayu Dalam Film \u201cYowes Ben 2\u201d Yang Disutradarai Oleh Fajar Nugros Berdasarkan Perspektif Brown Dan Levinson<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Husnul Khotimah<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0 Dau, Kab. Malang<\/td>Prinsip Kesantunan Dalam Cerpen \u201cBidadariku Anisa\u201d Karya Indah El Hafidz Berdasarkan Perspektif Geoffrey Leech<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ilma Nadhirotul Khusna<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0 Dau, Kab. Malang<\/td>Prinsip Kesantunan Dalam Cerpen \u201cBidadariku Anisa\u201d Karya Indah El Hafidz Berdasarkan Perspektif Geoffrey Leech<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ananda Suranto Moh.\u00a0 Ihsan<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0 Dau, Kab. Malang<\/td>Prinsip Kesantunan Dalam Film \u201cGrave Of\u00a0<\/em>The Fireflies\u201d Yang Disutradarai Oleh Akiyuki Nosaka Berdasarkan Perspektif Geoffrey Leech<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Shohib Naofal Fadlil<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0 Dau, Kab. Malang<\/td>Prinsip Kesantunan Dalam Film \u201cGrave Of\u00a0<\/em>The Fireflies\u201d Yang Disutradarai Oleh Akiyuki Nosaka Berdasarkan Perspektif Geoffrey Leech<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Isna Nur Azizah<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0 Dau, Kab. Malang<\/td>Prinsip Kesantunan Dalam Cerpen \u201cMata Yang Enak Dipandang\u201d Karya Ahmad Tohari Berdasarkan Perspektif Geoffrey Leech<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Neng Sumiyati<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0 Dau, Kab. Malang<\/td>Prinsip Kesantunan Dalam Cerpen \u201cMata Yang Enak Dipandang\u201d Karya Ahmad Tohari Berdasarkan Perspektif Geoffrey Leech<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Utita Najma<\/td>Buku<\/td>Edulitera (Anggota IKAPI \u2013 No. 211\/JTI\/2019) Semanding, Sumbersekar,\u00a0 Dau, Kab. Malang<\/td>Muka Positif Dan Muka Negatif Dalam Film Kartun \u201cMoana\u201d Yang Disutradarai Oleh Ron Clements Dan John Musker Berdasarkan Perspektif Erving Goffman<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Chilmi Laily Sitta Fariza<\/td>Buku<\/td>Edulitera<\/td>Muka Positif Dan Muka Negatif Dalam Film Kartun \u201cMoana\u201d Yang Disutradarai Oleh Ron Clements Dan John Musker Berdasarkan Perspektif Erving Goffman<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Putri Nurviyanti<\/td>Buku<\/td>Edulitera<\/td>Muka positif dan muka negatif dalam film \u201cdua garis biru\u201d yang disutradarai oleh ginatri s. Noer berdasarkan perspektif erving goffman<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Mardhatillah<\/td>Buku<\/td>Edulitera<\/td>Muka positif dan muka negatif dalam film \u201cdua garis biru\u201d yang disutradarai oleh ginatri s. Noer berdasarkan perspektif erving goffman<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>2020<\/td>\u00a0<\/td>Buku<\/td>UIN MALIKI PRESS<\/td>Semantik<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>\u00a0<\/td>Buku<\/td>UIN MALIKI PRESS<\/td>Sosiologi Sastra<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>\u00a0<\/td>Buku<\/td>Edulitera<\/td>Pragmatik: Tindak Tutur dan Implikatur<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>\u00a0<\/td>Buku<\/td>Edulitera<\/td>Pragmatik: Deiksis, Maksim, Prinsip Kerjasama, Praanggapan, dan Muka Positif.<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>\u00a0<\/td>Buku<\/td>Edulitera<\/td>Sosiologi Sastra: Stratifikasi Sosial, Realitas Sosial dan Solidaritas Sosial, Interaksi Sosial dan Sistem Sosial, Perilaku Sosial, dan Pertukaran Sosial.<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>\u00a0<\/td>Buku<\/td>Edulitera<\/td>Sosiologi Sastra: Perubahan Sosial, Diskriminasi Ras, Norma dan Penyimpangan Sosial, dan Wacana Sosial.<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>\u00a0<\/td>Buku<\/td>Edulitera<\/td>Semantik: Makna Konseptual \u2013 Asosiatif, Makna Konteks, Makna Denotasi \u2013 Konotasi, Makna\u00a0Referensial \u2013 Non Referensial, dan Makna Leksikal \u2013 Gramatikal<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>\u00a0<\/td>Buku<\/td>Edulitera<\/td>Semantik: Metonimi \u2013 Hipernimi, Kolokasi, Ameliorasi \u2013 Peyorasi, Polisemi, Homonim \u2013 Homofon \u2013 Homograf, dan Pertentangan Makna.<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>\u00a0<\/td>Buku<\/td>Edulitera<\/td>Linguistik Modern: Tagmemik dan Struktural<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>\u00a0<\/td>Buku<\/td>Edulitera<\/td>Linguistik Modern: Tata Bahasa Kasus dan Transformatif Generatif<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>201916310033<\/td>Muh. Hayyi\u2019 Lana<\/td>Prosiding<\/td>Universitas Muhammadiyah Semarang: English Language and Literature International Conference, 27 April 2019<\/td>The Representation of Poverty in the \u201cTanah Mama\u201d Film by Asrida Elisabeth based on Max Weber\u2019s Perspective<\/td>https:\/\/eudl.eu\/pdf\/10.4108\/eai.27-4-2019.2285309<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>16310100<\/td>Ahmad Irfanuddin<\/td>Prosiding<\/td>Universitas Muhammadiyah Semarang: English Language and Literature International Conference, 27 April 2019<\/td>The Potrait of Race Amalgamation in the Movie of Guess Who Directed by Kevin Rodney Sullivan<\/td>https:\/\/eudl.eu\/pdf\/10.4108\/eai.27-4-2019.2285313<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Narita Dewi Cahyani<\/td>Prosiding<\/td>Universitas Muhammadiyah Semarang: English Language and Literature International Conference, 27 April 2019<\/td>Positive Psychology in Novel\u201cMerindu Baginda Nabi\u201c According to Seligman Perspective<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Aulia Maulida<\/td>Prosiding<\/td>Universitas Indonesia, Depok: International University Symposium on Humanities and Art 4.0, 23 \u2013 25 Juli 2019<\/td>Apocalypse Lakardowo: Ecocritical Analysis In The Film Lakardowo Mencari Keadilan<\/a><\/td>https:\/\/scholarhub.ui.ac.id\/cgi\/viewcontent.cgi?article=1251&context=irhs<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Nur Widad Mazaya<\/td>Prosiding<\/td>Universitas Airlangga, Surabaya: International Conference of Postgraduate Students, 30 Juli 2019<\/td>Deviations of Mores and Folkways Norm in Srikandi Novel By Heru HS Based on Emile Durkheim\u2019s Perspective<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Kumillaela<\/td>Prosiding<\/td>Universitas Airlangga, Surabaya: International Conference of Postgraduate Students, 30 Juli 2019<\/td>The Labeling Sketch of Thailand Teenager In Bad Genius Movie Based Onhoward Bekcer Perspective<\/td>https:\/\/ifory.id\/abstract-plain\/XPcMfE2CkKvy<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>16310020<\/td>Siti Umi Habibah<\/td>Prosiding<\/td>Universitas Jenderal Soedirman, Purwokerto: International Conference on Culture, Education, and Literature, 5-7 Agustus 2019<\/td>The Social Conflict in Novel \u201cPasar\u201d by Kuntowijoyo\u00a0Based on Max Weber\u2019s Perspective<\/td>https:\/\/eudl.eu\/doi\/10.4108\/eai.5-8-2019.2289798<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Dita Armitha Sari<\/td>Prosiding<\/td>Universitas Jenderal Soedirman, Purwokerto: International Conference on Culture, Education, and Literature, 5-7 Agustus 2019<\/td>Social Racial Formation In Apocalypto Film Based On Howard Winant Perspective<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>15310094<\/td>Ifi Erwinthiana<\/td>Prosiding<\/td>Universitas Ahmad Dahlan, Yogyakarta: Ahmad Dahlan International Conference Series on Social Sciences and Humanities, 26 \u2013 27 Agustus 2019<\/td>Portrait of American Preadolescence\u2019s Personality in Instant Family Film based on Alfred Adler\u2019s Perspective<\/td>http:\/\/repository.uin-malang.ac.id\/8790\/1\/8790.pdf<\/a><\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Fauziyah Kurniawati<\/td>Prosiding<\/td>Universitas Ahmad Dahlan, Yogyakarta: Ahmad Dahlan International Conference Series on Social Sciences and Humanities, 26 \u2013 27 Agustus 2019<\/td>Human Spiritual Journey in Movie\u00a0Muhammad: The Messenger Of God\u00a0<\/em>Based on Jean-Paul Sartre\u2019s Perspective<\/td>https:\/\/www.atlantis-press.com\/proceedings\/adics-elssh-19\/125924485<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>15310010<\/td>Nashrul Habibi<\/td>Prosiding<\/td>Universitas Ahmad Dahlan, Yogyakarta: Ahmad Dahlan International Conference Series on Social Sciences and Humanities, 26 \u2013 27 Agustus 2019<\/td>The Arena of Rivalry in Jenin City in Hilm al-Zaitoun Movie Based on Pierre Bourdieu\u2019s Perspective<\/td>https:\/\/www.atlantis-press.com\/proceedings\/adics-elssh-19\/125924488<\/strong><\/a>\u00a0<\/strong><\/td><\/tr>
\u00a0<\/td>15310041<\/td>Lu\u2019lu\u2019 Agustin<\/td>Prosiding<\/td>Universitas Ahmad Dahlan, Yogyakarta: Ahmad Dahlan International Conference Series on Social Sciences and Humanities, 26 \u2013 27 Agustus 2019<\/td>The Psychological Conflict of Main Actor in The Suffragette Film by Sarah Gavron Based on Kurt Lewin\u2019s Perspective<\/td>https:\/\/www.atlantis-press.com\/proceedings\/adics-elssh-19\/125924486<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>15310077<\/td>Siti Masithoh<\/td>Prosiding<\/td>Universitas Ahmad Dahlan, Yogyakarta: Ahmad Dahlan International Conference Series on Social Sciences and Humanities, 26 \u2013 27 Agustus 2019<\/td>Human Spiritual Journey in Movie\u00a0Muhammad: The Messenger Of God\u00a0<\/em>Based on Jean-Paul Sartre\u2019s Perspective<\/td>https:\/\/www.atlantis-press.com\/proceedings\/adics-elssh-19\/125924485<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Mickyal Fichriz<\/td>Prosiding<\/td>Universitas Ahmad Dahlan, Yogyakarta: Ahmad Dahlan International Conference Series on Social Sciences and Humanities, 26 \u2013 27 Agustus 2019<\/td>The Arena of Rivalry in Jenin City in Hilm al-Zaitoun Movie Based on Pierre Bourdieu\u2019s Perspective<\/td>https:\/\/www.atlantis-press.com\/proceedings\/adics-elssh-19\/125924488<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Abida Sarah<\/td>Prosiding<\/td>Universitas Ahmad Dahlan, Yogyakarta: Ahmad Dahlan International Conference Series on Social Sciences and Humanities, 26 \u2013 27 Agustus 2019<\/td>The Analysis of Politeness Principles and Their Violations in Heidi\u2019s Cartoon Film Based on Leech\u2019s Perspective<\/td>https:\/\/www.atlantis-press.com\/proceedings\/adics-elssh-19\/125924489<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Muh. Ilmi Havizie<\/td>Prosiding<\/td>Universitas Ahmad Dahlan, Yogyakarta: Ahmad Dahlan International Conference Series on Social Sciences and Humanities, 26 \u2013 27 Agustus 2019<\/td>The Analysis of Politeness Principles and Their Violations in Heidi\u2019s Cartoon Film Based on Leech\u2019s Perspective<\/td>https:\/\/www.atlantis-press.com\/proceedings\/adics-elssh-19\/125924489<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>17310105<\/td>Fasky Randika<\/td>Prosiding<\/td>Universitas Negeri Malang: Seminar Nasional Bahasa Arab 3, 20 April 2019<\/td>Pembelajaran Materi Shorof di UIN Maulana Malik Ibrahim Malang<\/td>https:\/\/prosiding.arab-um.com\/index.php\/semnasbama\/article\/viewFile\/379\/355<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ahmad Irfanuddin<\/td>Prosiding<\/td>Universitas Negeri Malang: Seminar Nasional Bahasa Arab 3, 20 April 2019<\/td>Antonym dalam Qur\u2019an Surat ar-Rum<\/td>https:\/\/prosiding.arab-um.com\/index.php\/semnasbama\/article\/view\/447<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>16310111<\/td>Luthf Annisa<\/td>Prosiding<\/td>Universitas Negeri Malang: Seminar Nasional Bahasa Arab 3, 20 April 2019<\/td>Representasi Kondisi Sosial Negara Tunisia dalam SyiirBerdasarkan Perspektif Alan Swingewood<\/td>https:\/\/prosiding.arab-um.com\/index.php\/semnasbama\/article\/view\/404<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Wulan Arifiani<\/td>Prosiding<\/td>Universitas Negeri Malang: Seminar Nasional Bahasa Arab 3, 20 April 2019<\/td>Representasi Kondisi Sosial Negara Tunisia dalam SyiirBerdasarkan Perspektif Alan Swingewood<\/td>https:\/\/prosiding.arab-um.com\/index.php\/semnasbama\/article\/view\/404<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Siti Umi Habibah<\/td>Prosiding<\/td>Universitas Negeri Malang: Seminar Nasional Bahasa Arab 3, 20 April 2019<\/td>Nilai Perdamaian dalam Syair Karya Anis Syausan<\/td>http:\/\/repository.uin-malang.ac.id\/8721\/1\/8721.pdf<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>16310176<\/td>Dini Fahmiah<\/td>Prosiding<\/td>Universitas Negeri Malang: Seminar Nasional Bahasa Arab 3, 20 April 2019<\/td>Strategi Pengajaran Mufrodat Berbasis Teori Interaksi Sosial Vigotsky<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Siti Najiah<\/td>Prosiding<\/td>Universitas Negeri Malang: Seminar Nasional Bahasa Arab 3, 20 April 2019<\/td>Kalam Insya\u2019 Thalabi dalam Qur\u2019an Surat Yusuf<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Heniatuz Zahro<\/td>Prosiding<\/td>Universitas Negeri Malang: Seminar Nasional Bahasa Arab 3, 20 April 2019<\/td>Keberhasilan PKPBA dalam Menunjang Bahasa Arab<\/td>https:\/\/prosiding.arab-um.com\/index.php\/semnasbama\/article\/viewFile\/359\/338<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Ilma Nailu F<\/td>Prosiding<\/td>Universitas Negeri Malang: Seminar Nasional Bahasa Arab 3, 20 April 2019<\/td>Keberhasilan PKPBA dalam Menunjang Bahasa Arab<\/td>https:\/\/prosiding.arab-um.com\/index.php\/semnasbama\/article\/viewFile\/359\/338<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Nur Illiyin<\/td>Prosiding<\/td>Universitas Negeri Malang: Seminar Nasional Bahasa Arab 3, 20 April 2019<\/td>Keberhasilan PKPBA dalam Menunjang Bahasa Arab<\/td>https:\/\/prosiding.arab-um.com\/index.php\/semnasbama\/article\/viewFile\/359\/338<\/a>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Kamila Maryam<\/td>Prosiding<\/td>Universitas Negeri Malang: Seminar Nasional Bahasa Arab 3, 20 April 2019<\/td>Analisis Kalimat Bersinonim dan Terjemahannya dalam Kitab Fikih Sunnah<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Khusniyah Utami<\/td>Prosiding<\/td>Universitas Negeri Malang: Seminar Nasional Bahasa Arab 3, 20 April 2019<\/td>Analisis Kalimat Bersinonim dan Terjemahannya dalam Kitab Fikih Sunnah<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Novi Putri<\/td>Prosiding<\/td>Universitas Negeri Malang: Seminar Nasional Bahasa Arab 3, 20 April 2019<\/td>Analisis Kalimat Bersinonim dan Terjemahannya dalam Kitab Fikih Sunnah<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Nur Hamidah<\/td>Prosiding<\/td>Universitas Negeri Malang: Seminar Nasional Bahasa Arab 3, 20 April 2019<\/td>Analisis Strategi Tarjamah Konten Budaya Arab dalam Novel Karya Najib Mahfudz<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Nahdiya Sholihah<\/td>Prosiding<\/td>Universitas Negeri Malang: Seminar Nasional Bahasa Arab 3, 20 April 2019<\/td>Analisis Strategi Tarjamah Konten Budaya Arab dalam Novel Karya Najib Mahfudz<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Nuril Aulia<\/td>Prosiding<\/td>Universitas Negeri Malang: Seminar Nasional Bahasa Arab 3, 20 April 2019<\/td>Analisis Strategi Tarjamah Konten Budaya Arab dalam Novel Karya Najib Mahfudz<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Aulia Maulida<\/td>Jurnal<\/td>IRHS, Vol. 4, No. 2, Universitas Indonesia, Depok<\/td>\u00a0<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Anilla Febriyanti Hermanda<\/td>Jurnal<\/td>JLIC: Journal of Language Intteligence and Culture, Vol. 1, No. 1, IAIN Jember<\/td>\u00a0<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Pradibyo Herdiansyah<\/td>Jurnal<\/td>Arabiyat, Vol. 6, No. 1, UIN Syarif Hidayatullah Jakarta<\/td>\u00a0<\/td>\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..<\/td><\/tr>
\u00a0<\/td>201815310020<\/td>Aulia Maulida<\/td>Prosiding<\/td>the International Seminar on Recent Language, Literature, and Local Cultural Studies (BASA 2018), UNS, Surakarta<\/td>Potrait of Belitung Malay Society in Novel \u201cSirkus Pohon\u201d by Andrea Hirata Based on Subagio Sastrowardoyo Prespective<\/a><\/td>https:\/\/www.atlantis-press.com\/proceedings\/basa-18\/25906107<\/td><\/tr>
\u00a0<\/td>15310019<\/td>Fakhrurrazi<\/td>Prosiding<\/td>the International Seminar on Recent Language, Literature, and Local Cultural Studies (BASA 2018), UNS, Surakarta<\/td>The Value of the Struggle of Difabel Children in Film \u201cJembatan Pensil\u201d Based on Perspective of Sociology of Literature<\/a><\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>15310036<\/td>Shofia Amalia<\/td>Prosiding<\/td>the International Seminar on Recent Language, Literature, and Local Cultural Studies (BASA 2018), UNS, Surakarta<\/td>The Concept of Marxism In The Movie \u201cThe Young of Karl Marx\u201d Based on The Perspective of Genetic Structuralism<\/a><\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>15310018<\/td>Fahmi Darusti<\/td>Prosiding<\/td>the International Seminar on Recent Language, Literature, and Local Cultural Studies (BASA 2018), UNS, Surakarta<\/td>The Concept of Marxism In The Movie \u201cThe Young of Karl Marx\u201d Based on The Perspective of Genetic Structuralism<\/a><\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Zulhizawati<\/td>Jurnal<\/td>Kembara, UMM, Vol. 4, No. 2<\/td>\u00a0<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Imroatul Ngarifah<\/td>Jurnal<\/td>Haluan Bahasa dan Sastra, UNS, Vol. 2, No. 2<\/td>\u00a0<\/td>\u00a0<\/td><\/tr>
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\u00a0<\/td>\u00a0<\/td>Zahra Nida Rosyida<\/td>Jurnal<\/td>Pendidikan Bahasa dan Sastra, UPI, Vol 18, No. 1<\/td>\u00a0<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Nur Islamiyatul Jannah<\/td>Jurnal<\/td>Lingua, Univ. Negeri Semarang, Vol 14, No. 2<\/td>\u00a0<\/td>\u00a0<\/td><\/tr>
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\u00a0<\/td>\u00a0<\/td>Merty Karlina Sari<\/td>Jurnal<\/td>Pena Indonesia, Univ. Negeri Surabya, Vol 4, No. 1<\/td>\u00a0<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>\u00a0<\/td>\u00a0<\/td>Kembara, UMM, Vol. 4, No. 2<\/td>\u00a0<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>201815310020<\/td>Aulia Maulida<\/td>Prosiding<\/td>the International Seminar on Recent Language, Literature, and Local Cultural Studies (BASA 2018), UNS, Surakarta<\/td>Potrait of Belitung Malay Society in Novel \u201cSirkus Pohon\u201d by Andrea Hirata Based on Subagio Sastrowardoyo Prespective<\/a><\/td>https:\/\/www.atlantis-press.com\/proceedings\/basa-18\/25906107<\/td><\/tr>
\u00a0<\/td>15310019<\/td>Fakhrurrazi<\/td>Prosiding<\/td>the International Seminar on Recent Language, Literature, and Local Cultural Studies (BASA 2018), UNS, Surakarta<\/td>The Value of the Struggle of Difabel Children in Film \u201cJembatan Pensil\u201d Based on Perspective of Sociology of Literature<\/a><\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>15310036<\/td>Shofia Amalia<\/td>Prosiding<\/td>the International Seminar on Recent Language, Literature, and Local Cultural Studies (BASA 2018), UNS, Surakarta<\/td>The Concept of Marxism In The Movie \u201cThe Young of Karl Marx\u201d Based on The Perspective of Genetic Structuralism<\/a><\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>15310018<\/td>Fahmi Darusti<\/td>Prosiding<\/td>the International Seminar on Recent Language, Literature, and Local Cultural Studies (BASA 2018), UNS, Surakarta<\/td>The Concept of Marxism In The Movie \u201cThe Young of Karl Marx\u201d Based on The Perspective of Genetic Structuralism<\/a><\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Zulhizawati<\/td>Jurnal<\/td>Kembara, UMM, Vol. 4, No. 2<\/td>\u00a0<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Imroatul Ngarifah<\/td>Jurnal<\/td>Haluan Bahasa dan Sastra, UNS, Vol. 2, No. 2<\/td>\u00a0<\/td>\u00a0<\/td><\/tr>
\u00a0<\/td>\u00a0<\/td>Hasan Basri<\/td>Jurnal<\/td>Haluan Bahasa dan Sastra, UNS, Vol. 2, No. 2<\/td>\u00a0<\/td>\u00a0<\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Publikasi Mahasiswa No Nim Nama Jenis Publikasi(Buku, Book Chapter, Jurnal, dll) Penerbit\u00a0 Judul Karya Bukti Publikasi 1 2024 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 200301110023 Karinda Mauludina Karya Tulis (Artikel) ALSUNIYAT: Jurnal Penelitian Bahasa, Sastra, dan Budaya Arab Gender Injustice in the Main Character in Duaa Jamal\u2019s Novel Dalida: A Study of Simone de Beauvoir\u2019s […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11707","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/bsa.uin-malang.ac.id\/ar\/wp-json\/wp\/v2\/pages\/11707","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bsa.uin-malang.ac.id\/ar\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bsa.uin-malang.ac.id\/ar\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bsa.uin-malang.ac.id\/ar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bsa.uin-malang.ac.id\/ar\/wp-json\/wp\/v2\/comments?post=11707"}],"version-history":[{"count":4,"href":"https:\/\/bsa.uin-malang.ac.id\/ar\/wp-json\/wp\/v2\/pages\/11707\/revisions"}],"predecessor-version":[{"id":11711,"href":"https:\/\/bsa.uin-malang.ac.id\/ar\/wp-json\/wp\/v2\/pages\/11707\/revisions\/11711"}],"wp:attachment":[{"href":"https:\/\/bsa.uin-malang.ac.id\/ar\/wp-json\/wp\/v2\/media?parent=11707"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}